Lodhi Dynasty
Bahlol Lodhi was the founder of Lodhi dynasty. He ruled for 39 years.
His links were with a famous Afghan clan known as Shahurbel.He
established his suzerainty by defeating and capturing the jagirdar of
Mewat, Sambha, Koel, Khari, Bhogaon, Etawah and Gwalior.He
annexed the Jaunpur kingdom in his empire. In the last years of his
life he invaded Gwalior and obtained 80 lakh tankas from the ruler. He
was succeeded by his son Nizam Shah who ascended the throne with
the title of Sikandar Shah.
He was ablest of three Lodhi rulers. In 1504 he established the city of
Agra. He conquered south Bihar in 1494-95 and concluded a treaty of
friendship with Alauddin Husain Shah the ruler of Bengal. He
introduced the measurement of land and started a measurement
known as Sikandar Gaz.He tried to propagate Islam and crush
Hinduism. He died at Agra in 1517.The last Lodhi ruler was Ibrahim
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Lodhi.In 1526 Ibrahim Lodhi fought with Babur the battle of Panipat.In
this fierce battle Ibrahim Lodhi was defeated. The Sultanate came to
an end and a new power Mughals came to rule India.
Rulers of the Lodhi Dynasty
Rulers of the Lodhi Dynasty AD
1. Bahlol Lodhi 1451-1489
2. Sikander Lodhi 1489-1517
3. Ibrahim Lodhi 1517-1526
Administration of the Sultanate
The government established by the Turks was a compromise between
Islamic political ideas and institutions on the one hand and the existing
Rajput system of government on the other. Consequently many
elements of the Rajput political system with or without changes
became part and parcel of the Turkish administration in India. Most of
the Sultans kept up the pretence of regarding the caliph as the legal
sovereign while they themselves were the caliph's representatives.
Most of them included the name of the caliph in the Khutba and the
Sikka and adopted titles indicative of their subordination to the caliph.
Three rulers emphasised their own importance.Balban used to say that
after the Prophet the most important office was that of the sovereign
and called himself the Shadow of God.Muhmmad bin Tughlaq assumed
this style during the early years of his reign and although Balban had
retained the name of the caliph in the Khutba and Sikka, he made no
mention of caliph anywhere. Despite all this neither of them had the
power to call himself the caliph. The only person who had done this
was Qutubuddin Mubarak Khalji.Only three Sultans sought and secured
a mansur or letter of investiture from the caliph.The first among them
was Iltutmish.Next Muhmmad bin Tughlaq tried to pacify the ulema by
securing an investiture from the Abbasid Caliph in Egypt.
After him Firoz also sought and secured it twice. According to Islamic
ideals essential attributes of a sovereign required that he should be a
male adult suffering from no physical disability, a freeborn Muslim
having faith in Islam and acquainted with its doctrines and he should
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be elected by the people. There were several violations of the
prescribed criteria as Raziya was raised to throne despite her being a
woman. Minority proved no bar in the case of Mohammad bin
Tughluq.Alauddin Khalji admitted his ignorance of the Sharia but
nobody questioned him.In the framing of new rules and regulations
the authority of the Sultan was circumscribed and every ruler could
not govern the kingdom in complete disregard of the advice of the
ulema or theologians as Alauddin Khalji and Muhammad Tughluq had
been able to do. The power of the nobility also blunted their authority
to some extent. When there was a weak ruler on the throne the nobles
and the ulema particularly dominated him but during the reign of
Balban, Alauddin Khalji and Muhammad Tughluq these checks proved
ineffective. The sultans were not powerful enough to rule the land in
complete disregard of the sentiments of the Hindus.
The Sultan dominated the central government as he was the legal
head of the state and acted as the chief executive and the highest
court of appeal. The Sultan was assisted by number of ministers. The
slave dynasty sultans constituted four ministers at the top level these
were held by Wazir,Ariz I mamalik,the diwan -i-insha and the diwan-irisalat.
After sometime an extraordinary officer of the state styled as
naib-ul-mulk or malik naib the regent came into existence. When the
sultanate was well established two more departmental heads were
raised to the status of central ministers sadr-us-sadur and the diwan-iqaza.
The commander of the royal army next after the sultan, the
crown prince and above mentioned ministers constituted the nucleus
of the council of advisers called majilis-i-am or majilis-i-khawat which
comprised the most trusted and the highest officers of the state. The
wazir also styled as vakil was the prime minister and his department
was called the diwan-i-wizarat.He was head of the finance dept and
usually held overall charge of the entire administrative set up. The
head of the army establishment or the ministry of defence was the
diwan -i-arz.He was responsible for the organization and maintenance
of the royal army and exercised disciplinary control over it. The
department of correspondence and records of the royal court was
called diwan-i-insha; it was held under the charge of central minister
known as dabir-i-mamlik, dabir-i-khas or amir munshi.The diwan-irisalat
constituted the fourth pillar of the imperial administration of the
sultanate. Under slave dynasty the head of the dept was sadr-us-sadur
who was primarily a minister for ecclesiastical affairs. During the time
of Alauddin Khalji diwan-i-risalat dept was taken out of the hand of the
sadr and renamed diwan-i-riyasat.Its primary function was to
implement the economic regulations issued by the sultan and control
the markets and prices.Barid-i-mamalik ;vakil -i-dar,amir-i-
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barbak,amir-i-hajib,amir-i-majlis,amir-i-shikar,kotwal etc were other
important officials of the time.
Provincial Government
The provincial government of the sultanate was not well developed.
The provincial governors of the region were usually called walis or
muqtas.The provincial government was an exact replica of the central
government. In some provinces the sultan appointed an imperial
officer called sahib-i-diwan for controlling the provincial revenues and
he exercised a sort of check on the powers and activities of the
governor. The provinces were further divided into shiqs or districts
which were governed by shiqdars.Each shiq comprised a few parganas
which was an aggregate of villages. At the lowest ladder were the
villages which were governed by their local panchayats.
Judicial System
The sultans implemented shariat or the Islamic law of crime and
punishment the main sources of which were the Quran, the Hadis and
Ijma.The ecclesiastical cases were separated from the criminal and
civil suits. The durbar of the sultan constituted the highest civil and
criminal court of justice which took original as well as appellate cases.
Below the sultan there was the court of qazi-i-quzat or the chief justice
of the empire.Muhtasib the censor of public morals acted as police cum
judge in the observance of the canon law by the Muslims. The village
panchayats enjoyed the sanction of the state to administer justice
according to the local tradition, customs and the personal law of the
populace. The penal code was severe, physical torture and capital
punishment constituted an essential part of it.
Military organization
The sultanate was military dictatorship; it owed its genesis to the
military victory of the Turks over the Indian rulers in the 12th and
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13th centuries and its strength and stability depended primarily on its
strong and efficient army. The army organization of the sultans was
based on feudal principles which carried all the inherent defects of the
system with it.
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Geographical knowledge of the vedic
period.
The geographical evidence as to be found in the hymns of Vedas thros
some light on the course of Indo-Aryan migration and the origin of
Hinduism. Whether the Indo-Aryans came from Central Asia or not
depends largely on the interpretation of the geographical allusions in
the Rig and Yajur Vedas. The hymns in praise of rivers in the 10th
blcok are interesting. The author while singing the greatness of the
Sindhu enumerates at least 19 rivers including the Ganges. The fifth
Stanza gives a list of 10 streams, small and great-Ganges, Yamuna,
Saraswati, Satluj, Ravi, Chenab, Jhelum, Maruwardwan (in J&K),
Sushoma (Rowalpindi District) and probably Kanshi in the same
district. This system of rivers did not remain the Saraswati. The
existing delta of the Indus has been formed since the time of
Alexander the Great.
The Vedic hymns reveal the initial Aryan settlements in India : western
tributaries of the Indus, the Gomti (modern Gomal) the Krumu
(modern Kurram) and the Kubha (modern Kabul). The one river
mentioned in the North of Kabul is Suvastu (modern swat).
But the main focus of the Rig Vedic settlements was in the Punjab and
the Delhi region. When the Rig-Vedic hymns were compiled the focus
of Aryan settlement was the region between the Yamuna and the
Sutlaj, south of modern Ambala and laong the upper course of river
Saraswati. The most frequently mentioned rivers are the Sindhu
(Indus), the Sarasvati (modern Sarsuti), the Drishadvati (modern
Chitang), and the five streams of the Punjab.
Regarding the other geographical features, the Vedic poets knew the
Himalayas but not the land south of Yamuna, since they did not
mention the Vindhayas, In the east also the Aryans did not expand
beyond Yamuna; for the river Ganga is mentioned only once in one
late hymn.
And possibly, the Aryans had no knowledge of the oceans since the
word 'samudra' in the Vedic period meant a pool of water. But the
later Vedic knowledge shows that the Aryans knew the two seas, the
Himalayas and the Vindhyan mountainas and generally the entire
Indo-Gangetic plain.
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The Aryans used various kinds of pottery and the sites where the
painted grey were are found, confirm the Aryan settlements. The Vedic
texts show that the Aryans expanded from the Punjab over the whole
of western Uttar Pradesh covered by the Ganga-Yamuna Doab. The
Bharatas and Purus known as Kuru people first lived between
Sarasvati and Drishadvati just on the fringe of the Doab. Soon the
Kurus occupied Delhi and the Upper portion of the doab, that is the
area called Kurukshetra, After this event, the Kurus joined with the
people called Panchalas who occupied the middle portion of the Doab
or the moder districts of bareilly Dadaun and Farrukabad. It was the
Kuru-Panchalas who had set up their capital at Hastinapur situated in
the district of Meerut. Later the Kauravas and the Pandavas belonging
to the same Kuru clan fougth out a battle which led to the extinction of
the Kuru clan.
And by 600 B.C. the Aryans spread from the Doab further east to
Kosala in Eastern U.P. and Vedeha in north Bihar. The former town is
associated with the story of Ramchandra, but it is not mentioned in
Vedic literature.
Indus And Vedic Civilisation
There is muc to be contrasted between the cultures of the Harappans
and the Aryans. There are indeed a few points of similarities, but they
are not of any significance. Why the points of contrast are more is
primarily because of geographic location, economic activity and the
religious practices followed by both the cultures. Far more important is
the fact that the Aryans, with a plasticity of mind, made life vibrant;
whereas, the Indus life looks more like stylized puppet show.
The plasticity of the Aryan mind was shown in the language as well as
the way in which they adapted agricultural and settled life. The seals
of the Indus Valley show that the pictographs remained statis,
whereas, the Aryan language in the Rig Veda at places rises to musical
levels. The success with which the Aryan writings were composed
reveals the ability of the Aryan mind to grasp the mulitiple dimensions
of human life. And language which exhibits immense potentialities in
its vocabulary reveals that the community is full of potentialities. On
the other hand, out of nearly 400 characters known to the Harappans
only a few were repeated time and again.
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The other manifestation of Aryan civilization, that is, its capacity to
change and adapt itself, has given a continuity to Indian Civilization
despite the absence of mighty empires. On the other hand, the Indus
Valley people reached a blind alley and the never learnt anything from
other civilizations like the Sumerian. Adaptability or ability to respond
to challenges is the hallmark of any youthful civilization. The Indus
civilization reached its senilithy by 2000 B.C. whereas the Aryan
Civilization was full with creative dynamism.
Archaeology is the only source of our knowledge of the Harappan
civilization, but information concerning the Vedic Aryans depends
almost entirely on literary texts, which were handed down by the oral
tradition. It is clear from the material remains that the Harappan
civilization was in certain respects superior to that of the Aryans. In
Particular it was a city civilization of a highly developed type, while by
contrast city life was unfamiliar to the Aryans. The superiority of the
Aryans lay in the military field. In which their use of the light horse
chariot played a prominent part, or in literary exuberation.
Harappans were peace loving city-dwellers and good planners as is
evident by grid pattern towns, elaborate drainage system, street
lights, kelp-burnt brick houses, fortifications, granaries, baths and
wells. The early Aryans were not city builders. Their way of life,
nomad-pastoralists as theywere, was dominated by war like stockbreeding
(they practiced a little agriculture) and migrations. City
buildings etc. as a large-scale socio-economic activities is only much
later mentioned in the later Vedic texts, epics and the Puranas.
The Harrapa culture is located in the Indus Valley and western India
and its urbanization is based on a chalcolithic system with and absence
of iron. Later Vedic society centering on the Ganges Valley from which
the Harappan culture is largely absent owes its gradual urbanization to
iron technology, the widespread domestication of the horse and the
extension and intensification of plough agriculture. (Iron, horse and
plough being nearly absent - some evidence in later Harappan sites).
The expansion and budding off of the Harappan system in the east as
far as Alamgirpur (U.P.) and to the neighbouring areas was neither
'colonisation' nor was it 'political expansion' of any from, it was rather
the expansion in terms of the permeations of the socio-economic and
socio-cultural systems of Harappan society whereas, the Aryan
advance towards eastern region - the Doab of the Ganges and Jamuna
- was no doubt facilitated by their horse chariots and effective
weapons and can be viewed as 'colonisation' or 'political expansion'
Be great in act, as you have been in thought. Page 3 of 56
though not all the Aryan culture contacts and expansion need have
been of a violent kind.
The focal centers of the Harappan culture remained for a long time the
twin cities of Harappa and Mohenjo-daro and it is from these centers
that Harappan culture budded off, whereas the focus of attention of
the Rig Veda was the Punjab and in the later Vedic period it shifted to
the Doab of the Ganges and Jamuna rivers. The Punjab seems
gradually to fade into the background and was regarded even with
disapproval.
The Harappan society had a very complex social stratification, division
of labour and multiplicity of crafts and industries, urbanism was its
marked feature with Harappans enjoying a settled and sedentary life,
and in this society the priest and the merchant played dominant roles
perhaps constituting a 'ruling' elite. On the other hand, in the early
period the Aryans were organized into a social organization which may
be described as 'tribal' or rural' one with a minimal of division of labour
and sedentariness. It was sed fully with more pronounced and
increased division of labour when specialized trades and crafts
appeared. But in this society it was not the priests and the merchants
(Vaishyas) but the Priests and the Kshtriya who constituted the rule in
elite (though with a tendency to rivalry).
In the Harappan society the Priestly class was of great importance as
the central authority. Though there is little evidence in the Rig Veda of
any special importance of the priests, however in later Vedic society,
the priests as a class assumed a form of institutional authority. The
institutions of slavery and prostitution were common to both the
societies.
The entire Harappan civilization was the product of an available food
surplus (wheat and barley), a fairly high level of craft industry, a script
and most important of active commercial intercourse by which it was
able to obtain its different and varied material from places far and near
both in India (the sub-continent outside the Harappan sphere was not
terra-incognita) and outside (i.e. Sumerian towns, Baluchistan and
Central Asia). Both northern and southern India was connected in
Harappan period by ties of brisk trade. But the early Aryans did not
fully emerged out from the food-gathering and nomadic pastoral
stage. They hated the panis, i.e. those who indulged in trade. Though
by the end of the Vedic age trade contracts and commercial intercourse
did not reach the Harappan level. It was only by the end of the
Be great in act, as you have been in thought. Page 4 of 56
Vedic period that the Aryans had some familiarity with the subcontinent.
The religion of the Harappan differed widely from that of the Vedic
people. The Harappan practiced the cults of Sakti (mother Goddess)
and Pasupati (Proto-Shiva) of animal-tree and stone worship and of
Phallus and Yoni, i.e. fertility cult. The early Aryans condemned many
of these cults. Harappans worshiped Mother Goddess but the Female
deities played a minor part in Vedic religion though the Aryans
provided spouses to their gods by later Vedic times. But the fear of the
Phallus worship was replaced in the Yajur veda by its recognition as an
official ritual. Siva also gained increased importance in the later Vedas.
The Aryans anthropomorphized most of the forces of nature and
prayed to them as Indra, Varuna, Agni, Mitra, Rudra, Soma, Surya,
and Asvins. The fire of sacrificial cult was common to both. Vedic
Aryans worshipped the cow while the Harappans reserved their
veneration for bulls. The Harappans were iconic and the Aryans
aniconic. Ascetic practices were known to both.
That the Harappan had a ruling authority or elite and / or an
administrative organization cannot be doubted. Almost uniform
planning of the cities and presence of sanitary system, standard
weights and measures, assembly halls, huge granaries and citadels
point to the existence of an authority, but what it was like as the later
Vedic period the Aryan tribes had consolidated in little kingdoms with
capitals and a sedimentary administrative system with important
functionaries the Purohit and the twelve ratrins playing dominant role
in support of the monarchy, the prevalent form of government.
The food habits of the Harappans were almost identical with those of
the later Aryans if not early Aryans. The Harappans unlike the Aryans,
preferred indoor games of outdoor amusements (chariot racing and
hunting) though dice was popular past time with both. Playing music,
singing and dancing were common to both. But about the musical
instrument of the Harappan little is known or not known while the
Aryans had the drum, lute and flute with cymbals and the harp as later
additions. The Harappans buried their dead - the Aryans largely
created their dead. The Harappans used a script, which remains
undeciphered to date in spite of many claims for its deco din, where as
references to writing in Vedic society came at a much later stage.
In art the Harappans made considerable progress. Their works of art
add tour comprehension of their culture. In fact, the earliest artistic
traditions belong to them. In sculpture (beareded man from Mohenjo-
Be great in act, as you have been in thought. Page 5 of 56
daro and two sand stone statuettes from Harappa), though a very few
sculptures survive, in metal (bronze dancing girl) and ivory works, in
terracotta's (small images and figures of animals, birds or human or
animal and inscription a 9 Harappan script on them), and in their
pottery (painted red and black, at times glazed), the Harappan show
vigor, variety and ingenuity. On the other hand, Rig Vedic age is
devoid of any tangible proof of Aryan achievements in these directions.
In fact the Rig Veda says nothing of writing, art and architecture. The
art of ceramics made Harappan, the Vedic pottery was a simple one.
The Harappans lacked that plasticity and dynamism of mind which is
very essential for further growth and survival and they refused to learn
from others, on the other hand, the Aryans possessing what the
Harappans lacked, were youthful enough to be receptive, adaptive and
assimilative, transforming themselves into a comprehensive civilization
which in due course of time became essentially composite in character.
In the end we have to say that apart from the minor causative factors
causing difference like the close mindedness of the Harappans and
contrasted to the Plasticity of the Aryan mind, formalized and
ritualized religion of the Harappans as contrasted to the animals and
the metaphysical traits of the Aryans and the geographical locale were
entirely different. The differences in socio-economic matrices between
the two civilizations primarily account for the contrast between the
two.
Sunday, June 27, 2010
decline of maurya
DECLINE OF THE MAURYAS
The decline of the Maurya Dynasty was rather rapid after the death of
Ashoka/Asoka. One obvious reason for it was the succession of weak
kings. Another immediate cause was the partition of the Empire into
two. Had not the partition taken place, the Greek invasions could have
been held back giving a chance to the Mauryas to re-establish some
degree of their previous power.
Regarding the decline much has been written. Haraprasad Sastri
contends that the revolt by Pushyamitra was the result of brahminical
reaction against the pro-Buddhist policies of Ashoka and pro-Jaina
policies of his successors. Basing themselves on this thesis, some
maintain the view that brahminical reaction was responsible for the
decline because of the following reasons.
Be great in act, as you have been in thought. Page 6 of 56
• (a) Prohibitino of the slaughter of animals displeased the
Brahmins as animal sacrifices were esteemed by them.
• (b) The book Divyavadana refers to the persecution of Buddhists
by Pushyamitra Sunga.
• (c) Asoka's claim that he exposed the Budheveas (brahmins) as
false gods shows that Ashoka was not well disposed towards
Brahmins.
• (d) The capture of power by Pushyamitra Sunga shows the
triumph of Brahmins.
All these four points can be easily refuted. Asoka's compassion
towards animals was not an overnight decision. Repulsion of animal
sacrifices grew over a long period of time. Even Brahmins gave it up
by the book Divyavadana, cannot be relied upon since it was during
the time of Pushyamitra Sunga that the Sanchi and Barhut stupas
were completed. Probably the impression of the persecution of
Buddhism was created by Menander's invasion who was a Budhhist.
Thridly, the word 'budheva' is misinterpreted because this word is to
be taken in the context of some other phrase. Viewed like this, this
word has nothing to do with brahminism. Fourthly, the victory of
Pushyamitra Sunga clearly shows that the last of the Mauryas was an
incompetent ruler since he was overthrown in the very presence of his
army, and this had nothing to do with brahminical reaction against
Asoka's patronage of Budhism. Moreover, the very fact that a Brahmin
was the commander in chief of the Mauryan ruler proves that the
Mauryas and the Brahmins were on good terms.
After all, the distinction between Hinduism and Buddhism in India was
purely sectarian and never more than the difference between saivism
and vaishnavism. The exclusiveness of religious doctrines is a Semitic
conception, which was unknown to India for a long time. Buddha
himself was looked upon in his lifetime and afterwards as a Hindu saint
and avatar and his followers were but another sect in the great Aryan
tradition. Ashoka was a Buddhist in the same way as Harsha was a
Budhist, or Kumarapala was a Jain. But in the view of the people of the
day he was a Hindu monarch following one of the recognized sects. His
own inscriptions bear ample withness to the fact. While his doctrines
follow themiddle path, his gifts are to the brahmibns, sramansa
(Buddhist priests) and others equally. His own name of adoption is
Devanam Priya, the beloved of the gods. Which gods? Surely the gods
of the Aryan religion. Buddhism had no gods of its own. The idea that
Ashoka was a kind of Buddhist Constantine declearing himself against
paganism is a complete misreading of India conditions. Asoka was a
kind or Buddhist Constantine declearing himself against paganism is a
Be great in act, as you have been in thought. Page 7 of 56
complete misreading of India conditions. Asoka was essentially a
Hindu, as indeed was the founder of the sect to which he belonged.
Raychaudhury too rebuts the arguments of Sastri. The empire had
shrunk considerably and there was no revolution. Killing the Mauryan
King while he was reviewing the army points to a palace coup detat
not a revolution. The organization were ready to accept any one who
could promise a more efficient organisation. Also if Pushyamitra was
really a representative of brahminical reaction he neighbouting kings
would have definitely given him assistance.
The argument that the empire became effete because of Asokan
policies is also very thin. All the evidence suggests that Asoka was a
stern monarch although his reign witnessed only a single campaign.
He was shrewd enough in retaining Kalinga although he expressed his
remorse. Well he was wordly-wise to enslave and-and-half lakh sudras
of Kalinga and bring them to the Magadha region to cut forests and
cultivate land. More than this his tours of the empire were not only
meant for the sake of piety but also for keeping an eye on the
centrifugal tendencies of the empire. Which addressing the tribal
people Asoka expressed his willingness to for given. More draconian
was Ashoka's message to the forest tribes who were warned of the
power which he possessed. This view of Raychoudhury on the pacifism
of the State cannot be substantiated.
Apart from these two major writers there is a third view as expressed
by kosambi. He based his arguments that unnccessary measures were
taken up to increase tax and the punch-marked coins of the period
show evidence of debasement. This contention too cannot be up held.
It is quite possible that debased coins began to circulate during the
period of the later Mauryas. On the other hand the debasement may
also indicate that there was an increased demand for silver in relation
to goods leading to the silver content of the coins being reduced. More
important point is the fact that the material remains of the post-
Asokan era do not suggest any pressure on the economy. Instead the
economy prospered as shown by archaeological evidence at
Hastinapura and Sisupalqarh. The reign of Asoka was an asset to the
economy. The unification of the country under single efficient
administration the organization and increase in communications meant
the development of trade as well as an opening of many new
commercial interest. In the post - Asokan period surplus wealth was
used by the rising commercial classes to decorate religious buildings.
The sculpture at Barhut and Sanchi and the Deccan caves was the
contribution of this new bourgeoisie.
Be great in act, as you have been in thought. Page 8 of 56
Still another view regarding of the decline of Mauryas was that the
coup of Pushyamitra was a peoples' revolt against Mauryans
oppression and a rejection of the Maurya adoption of foreign ideas, as
far interest in Mauryan Art.
This argument is based on the view that Sunga art (Sculpture at
Barhut and Sanchi) is more earthy and in the folk tradition that
Maruyan art. This is more stretching the argument too far. The
character of Sunga art changed because it served a different purpose
and its donors belonged to different social classes. Also, Sunga art
conformed more to the folk traditions because Buddhism itself had
incorporated large elements of popular cults and because the donors of
this art, many of whom may have been artisans, were culturally more
in the mainstream of folk tradition.
One more reasoning to support the popular revolt theory is based on
Asoka's ban on the samajas. Asoka did ban festive meetings and
discouraged eating of meat. These too might have entagonised the
population but it is doubtful whether these prohibitions were strictly
enforced. The above argument (people's revolt) also means that
Asoka's policy was continued by his successors also, an assumption
not confirmed by historical data. Further more, it is unlikely that there
was sufficient national consciousness among the varied people of the
Mauryan empire. It is also argued by these theorists that Asokan
policy in all its details was continued by the later Mauryas, which is not
a historical fact.
Still another argument that is advanced in favour of the idea of revolt
against the Mauryas is that the land tax under the Mauryas was onequarter,
which was very burden some to the cultivator. But historical
evidence shows something else. The land tax varied from region to
region according to the fertility of the soil and the availability of water.
The figure of one quarter stated by Magasthenes probably referred
only to the fertile and well-watered regions around Pataliputra.
Thus the decline of the Mauryan empire cannot be satisfactorily
explained by referring to Military inactivity, Brahmin resentment,
popular uprising or economic pressure. The causes of the decline were
more fundamental. The organization of administration and the concept
of the State were such that they could be sustained by only by kings of
considerably personal ability. After the death of Asoka there was
definitely a weakening at the center particularly after the division of
the empire, which inevitably led to the breaking of provinces from the
Mauryan rule.
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Also, it should be borne in mind that all the officials owed their loyalty
to the king and not to the State. This meant that a change of king
could result in change of officials leading to the demoralization of the
officers. Mauryas had no system of ensuring the continuation of wellplanned
bureaucracy.
The next important weakness of the Mauryan Empire was its extreme
centralization and the virtual monopoly of all powers by the king.
There was a total absence of any advisory institution representing
public opinion. That is why the Mauryas depended greatly on the
espionage system. Added to this lack of representative institutions
there was no distinction between the executive and the judiciary of the
government. An incapable king may use the officers either for
purposes of oppression or fail to use it for good purpose. And as the
successors of Asoka happened to be weak, the empire inevitably
declined.
Added to these two factors, there is no conception of national unity of
political consciousness. It is clear from the fact that even the
resistance against the greeks as the hated miecchas was not an
organized one. The only resistance was that of the local rulers who
were afraid of losing their newly acquired territory. It is significant that
when Porus was fighting Alexander, or when Subhagasena was paying
tribute to Antiochus, they were doing so as isolated rulers in the
northwest of India. They had no support from Pataliputra, nor are they
even mentioned in any Indian sources as offering resistance to the
hated Yavanas. Even the heroic Porus, who, enemy though he was,
won the admiration of the Greeks, is left unrecorded in Indian sources.
Another associated point of great importance is the fact that the
Mauryan Empire which was highly centralized and autocratic was the
first and last one of its kind. If the Mauryan Empire did not survive for
long, it could be because of the failure of the successors of Asoka to
hold on to the principles that could make success of such an empire.
Further, the Mauryan empire and the philosophy of the empire was not
in tune with the spirit of the time because Aryanism and brahminism
was very much there. According to the Brahmin or Aryan philosophy,
the king was only an upholder of dharma, but never the crucial or
architecture factor influencing the whole of life. In other words, the
sentiment of the people towards the political factor, that is the State
was never established in India. Such being the reality, when the
successors of Asoka failed to make use of the institution and the
thinking that was needed to make a success of a centralized political
authority. The Mauryan Empire declined without anyone's regret.
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Other factors of importance that contributed to the decline and lack of
national unity were the ownership of land and inequality of economic
levels. Land could frequently change hands. Fertility wise the region of
the Ganges was more prosperous than northern Deccan. Mauryan
administration was not fully tuned to meet the existing disparities in
economic activity. Had the southern region been more developed, the
empire could have witnessed economic homogeneity.
Also the people of the sub-continent were not of uniform cultural level.
The sophisticated cities and the trade centers were a great contrast to
the isolated village communities. All these differences naturally led to
the economic and political structures being different from region to
region. It is also a fact that even the languages spoken were varied.
The history of a sub-continent and their casual relationships. The
causes of the decline of the Mauryan empire must, in large part, be
attributed to top heavy administration where authority was entirely in
the hands of a few persons while national consciousness was unknown.
The splendour of the 'Dark Centuries'
The five centuries which passed between the decline of the first great
Indian empire of the Mauryas and the emergence of the great classical
empire of the Guptas has often been described as a dark period in
Indian history when foreign dynasties fought each other for short-lived
and ephemeral supremacy over Northern India. Apart from Kanishka's
Indo-Central Asian empire which could claim to be similar in size and
importance to has china, the parthians of Persia and to the
contemporary Roman empire this period did lack the glamour of large
empires. But this 'dark period' particularly the first two centuries AD
was a period of intensive economic and cultural contact among the
various parts of the Eurasian continent. Indian played a very active
role in stimulating these contacts. Buddhism which has been fostered
by Indian rulers since the days of Ashoka was greatly aided by the
international connections of the Indo-Greeks and the Kushanas and
thus rose to prominence in Central Asia. South India was establishing
its important links with the West and with Southeast Asia in this
period. These links especially those with southeast Asia, proved to be
very important for the future course of Asian history.
But India it self experienced important social and cultural changes in
this period. For centuries Buddhism had enjoyed royal patronage. This
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was partly due to the fact that the foreign rulers of India found
Buddhism more accessible than orthodox Hinduism. The Vedic
Brahmins had been pushed into the background by the course of
historical development all though Hinduism as such did not experience
a decline. On the contrary new popular cults arose around gods like
Shiva, Krishna and Vishnu-Vasudeva who had played only a marginal
role in an earlier age. The competition between Buddhism which
dominated the royal courts and cities and orthodox Brahminism which
was still represented by numerous Brahmin families every where left
enough scope for these new cults to gain footholds of their own, of
great importance for the further development of Hinduism and
particularly for the Hindu idea of kingship was the Kushana rulers
identification with certain Hindu gods - they were actually believed to
attain a complete identity with the respective god after their death.
Religious legitimation was of greater importance to these foreign rulers
than to other Indian kings. Menander's ashes had been distributed
according to the Buddhist fashion and Kanishka was identified with
Mithras but wima kadphises and Huvishka were closer to shiva as
shown by the images on their coins. Huvishka's coins provide a regular
almanac of the iconography of the early Shiva cult. The deification of
the ruler which was so prevalent in the Roman and Hellenistic world as
well as among the Iranians was thus introduced into India and left a
mark on the future development of Hindu Kingship.
Another future of crucial importance for the future political
development of India was the organization of the Shaka and Kushana
Empires had been, but were based on the large-scale incorporation of
local rulers. In subsequent centuries many regional Empires of India
were organized on this pattern.
The most well-known contribution of the 'dark-period' was a course, to
Indian art. After the early sculptures of the Mauryas which were
greatly influenced by the Iranian style, a new Indian style, a new
Indian style has fist emerged under Shungas and their successors in
the Buddhist monuments of Bharhut and Sanchi which particularly
showed a new style of relief sculpture. The merger of the Gandhara
school of art, with its Graeco-Roman style and the Mathura school of
art which included 'archaic' Indian elements and became the center of
Indo-Kushana art, finally led to the rise of the Sarnath school of art.
This school then set the pattern of the classical Gupta style.
Less-well-known, but much more important for the future
development of Hindu society, was the compilation of the authoritative
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Hindu law books (dharmasastra), the foremost of them being the code
of Manu which probably originated in the second or third century AD.
After the breakdown of the Maurya and Shunga Empires, there must
have been a period of uncertainty, which led to renewed interest in
traditional social norms. These were then codified so as to remain
inviolate for all times to come. If we add to this the resurgence of
Sanskrit, as testified by Rudradaman's famous rock inscription of the
second century AD. We see that this 'dark-period' actually contained
all the element of the classical culture of the Gupta age, Thus the
many splendoured and much maligned 'dark-period' was actually the
harbinger of the classical age.
POST-MAURYAN PERIOD (20BC -
300AD)
ECONOMY AND SOCIETY
In the post-Mauryan era (200 BC. To 300 A.D.) the economy moved at
an accelerated tempo. Society witnessed structural reorientation as
significant groups of foreigners penetrated into India and chose to be
identified with the rest of the community.
The occupation of craftsmen was an important segement of the day's
socio-economic milieu. The craftsment were not only associated with
the towns but also villages like Karimnagar in the Telengana region of
Andhra Pradesh. The categories of craftsmen who were known in this
period bear out the truth that there was considerable specialization in
mining and metallurgy. A large number of iron artifacts have been
discovered at various excavated sites relating to the Kushan and
Satavahans Periods. It is surprising to notice that the Telengana region
appears to have made special progress in iron artifacts - not only
weapons but also balance rods, sickles, ploughshares, razors and
ladels have been found in the Karimnagar and Nalgonda districts. Also,
cutlery made out of iron and steel was exported to the Abyssinian
ports.
Equally significant was the progress made in cloth-making and silkweaving.
Dyeing was a craft of repute in some south Indian towns like
Uraiyur, a shurb of Tiruchirapalli, and Arikamedu. The use of oil was
also high because of the invention of oil wheel. The inscriptions of the
day mention weavers, goldsmiths, dyers, workers in metal and ivory,
jewelers, sculptors, fishermen, perfumers and smiths as the donors of
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caves, pillars, tablets, cisterns etc. Among the luxury items the
important ones were ivory and glass articles and beed cutting. At the
beginning of the coristian era the knowledge of glass-blowing reached
India and attained its peak. Coin minting also reached a high level of
excellence made out of gold, silver, copper, bronze, lead and potin. A
coint mould of the Satavahans period shows that through it half a
dozen coins could be turned out a time.
In urban handicrafts the pride of place goes to the beautiful pieces of
terracotta produced in profuse quantities. They have been found in
most of the sites belonging to the Kushan and Satavahans periods. In
particular, terracotta figures of great beauty have been found in the
Nalgonda district of Telengana. The terracotta figures were mostly
meant for the use of upper classes in towns.
This immense manufacturing activity was maintained by guilds. At
least to dozen kinds of guilds were there. Most of the artisans known
from inscriptions hailed from the Mathura region and the western
Deccan which lay on the trade routes leading to the ports on the
western coast.
The guilds, coming from the days of the Mauryan period, became a
more important factor in the urban life both in being instrumental to
increase in production and moulding public opinion. The primary guilds
of the day were those of the potters, metal workers and carpenters.
Some guilds organized their own distribution system while owning a
large number of boats to transport goods from various ports on the
Ganges.
The guilds of the day fixed their own rules of work and the standards
of the finished products. They exercised care regarding price also to
safeguard the interest of both the artisan and the customer. They
controlled the price of the manufactured articles. He conduct of the
guild members was regulated through a guild court. The customary
uses of the guilds had the same force as those of laws.
The extensive activity of the guilds can be known from their seals and
emblems. The banners and insignia of each guild were carried in
procession of festive occasions. These prosperous guilds in addition,
donated large sums of money to religious institutions and charitable
causes.
Since the activity of the guilds was so buoyant, it appears that they
attracted the attention of kings too. It is said that kings had financial
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interests in guilds. Royalty invested its money in commercial activities.
This naturally led to protection being provided by State to the guilds.
Regarding the activities of guilds, it appears from inscriptions that they
acted asbankers, financiers and trustees although these activities were
carried out by a separate class of people known as sresthins. Usury
was a part of banking and the general rate of interest was around 15%
loans extended to sea-trade carried higher interest rate. An authority
of the day states that the rate of interest should vary according to the
caste of the man to whom money is lent.
Interestingly, apart from the guilds, there were workers bodies also.
The workers co-operative included artisans and various crafts
associated with a particular enterprise. The classic example of this
activity was the co-operative of builders, which has its members drawn
from specialized workers such as architects. Engineers, bricklayers etc.
The immense commercial activity was bolstered by the thriving trade
between India and the Easter Roman Empire. With the movement of
Central Asian people like Sakas, Parthians and Kushans, trade came to
be carried across the sea. Among the ports, the important ones were
Broach and Sopara on the western coast, and Arikamedu and
Tamralipti on the eastern coast. Out of these ports Broach was the
most important as not only goods were exported from here but a also
goods were received. Across land, the converging point of trade routes
was Taxila, which was connected with the Silk Route passing through
Central Asia. Ujjain was the meeting point of good number of trade
routes.
The trade between India and Rome mostly consisted of luxury goods.
To begin with Rome got her imports from the southern most portions
of the country. The Roman imports were Muslims, pearls, jewels and
precious stones from Central and South India. Iron articles formed an
important item of export to the Roman Empire. For certain articles
India became the clearing house, as for example, silk from China
because of impediments posed by the Parthian rule in Iran and the
neighboring areas.
The Romans, in return, exported to India various types of potters
found in excavations at places like Tamluk in West Bengal, Arikamedu
nevar Pondicherry and a few other places. Probably lead was important
from Rome. It is also presumed that the Kushans had brisk trade with
the Romans as they conquered Mesopotamia in 115 A.D. At a place
close to Kabul, glass jars made in Italy, Egypt and Syria have come to
light, apart from small bronze statues of Greko-Roman style, And the
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most significant Roman export to India was the gold and silver coins -
nearly 85 finds of Roman coins have been found. There is nothing
surprising in the lamentation of the Roman writer Pliny in the 1st
century A.D. that Roman was being drained of gold on account of
trade with India.
Indian kingdoms sent embassies to Rome the best known being the
one sent about 25 B.C. Which included strange collection of men and
animals-tigers, snakes, tortoises a monk and an armless boy who
could shoot arrows with his toes. This mission reached Rome during
the days of Emperor Augustus in 21 B.C.
In the southern kingdoms maritime trade occupied the pride of place.
The literature of the day refers to harbours, docks, light houses and
custom offices. Large variety of ships were built, both for short
distance as well as long distance voyages. According to pliny the
largest Indian ship was 75 tons. Other sources mention higher figures.
In the self-same period there was a boom in trade with south-East
Asia. This was first occasioned by the Roman demand for spices.
Gradually this trade grew in dimensions.
The growing number of strangers in the port towns and trade centers
led to their absorbing Indian habits as their numbers grew, social laws
of the day became rigid as to be seen from the law code of Manu.
Further as conversions to Hinduism was technically impossible the
non-Indian groups gradually grew into separate sub-castes. After all
the conversion of a single individual was a problem but the device of
caste made such absorption easier. Moreover the foreigners found it
easier to become Buddhists instead of Aryans. Faced one theoretical
knowledge confined to brahmins and the other practical and technical
knowledge which became the preserve of the professionals.
It was during this period Dharmashastras came to be written. These
Shastras made the social structure to be rigid. Apart from these
writings poetry and drama were also popular. The outstanding poem in
Tamil was Shilappadigaram. Another poem in Tamil was Manimegalai.
In Sanskrit, Asvaghosa and Bhasa were the two great dramatists. The
manuscripts of Asvaghosa were found in a monastry in Turdan in
Central Asia. Both of his plays deal with Buddhist themes. Bhasa
appeared a couple of centuries later. His plays are based on the
incident from the spics or historical romances around the exploits of
king udayan in Avanti.
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In the field of plastic art. Great were the achievement of this period
like the stupas at Sanchi and Bar hut the caves at Karlellora and
Ajanta. At Amravati the great age of painting began. Also the
sculptures at Amravati show a mastery of stone sculpture and with the
mathura school of sculpture the Indian tradition of sculpture began.
The booming trade and commerce of the period was at the base of the
urban settlements that came into existence. The important towns of
northern India were Vaishali, Pataliputra, Varanasi, Kausambi,
Sravasti, Hastinapur, Mathura and Indraprastha. Most of the towns
flourished in the Kushan period as revealed by excavations. The
excavations at Sonkh in Mathura show as many as seven levels of the
Kushan are but only one of the Gupta period. Again in Jalandhar,
Ludhiana and Ropar also several sites show good Kushan structures.
The Satayahans kingdown also witnessed thriving towns like Tagar,
Paithan, Dhanyakataka, Amravati, Nagarjunakonda, Broach, Sopara,
Arikamedu and Kaveripattanam.
HISTORY AND IMPACT OF
Indo-Greeks
After Alexander the Great, the greed seleukidan dynasty of Persia held
on to the trans-Indus region. After seleukos Nikator was defeated by
Chanragupta Maurya in 303 B.C. the trans-Indus region was
transferred to the Mauryas. In mid third century B.C. the seleukidan
rule was ended by two peoples. In Iran the parthiar became
independent and their sassanians in 226 A.D. In like manner the
greeks of Bactria rose in revolt under the leadership of Diodotus.
These Greeks were later known as Indo-Greeks when they gained a
foot-hold in the Indian sub-continent.
Bactria situated between the Hindu Kush and the oxus, was a fertile
region and it controlled the trade routes from Gandhara to the West.
The greek settlement in Bactria began in the 5th century B.C. when
Persian emperors settled the Greek exiles in that area.
Bactria figured in history with the revolt of diodotus against Antiochus
the seleukidan king. This breakaway of Bactria was recnised by the
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seleukidans when the grandson of Diodotus, Enthymemes. Was given
a seleukidan bride in about 200 B.C.
About the same time the seleukidan king defeated king subhagasena
after crossing the Hindu Kush in 206 B.C. This defeat reveals the
unguarded nature of northwestern India.
Thus begins the history of Indo-Greeks. The history of the Indo-Greeks
is mainly gathered from their coins. This evidence is very often
confusion because many kings had identical names.
The son of Euthydemos, Demetrios, Conquered modern southern
afghanistion and the Makran area he also occupied some parts of
Punjab. Then around 175 B.C. the homeland of Bactrians came to be
ruled by Eukratides, another branch of the Bactrians. His son
Demetrios-II penetrated deep into the Punjab proceeding along the
Indus, he penetrated till kutch.
The most known Indo-Greek was Menander, whose claim rests on the
Buddhist treatise the Questions of king Milinda-discussion between
menander and the Buddhist philosopher, Nagasena and he ruled the
Punjab from C.160 to 140 B.C.
Menander not only stabilized his power but extended his frontiers. His
coins are to be found in the region extending from Kabul to Mathura
near Delhi. He attempted to conquer the Ganges valley but in vain.
Probabley he was defeated by the Sungas.
After menander one Strato ruled. At that time Bactaria was rule by a
different group of Bactrians. Probably Mitrhadates - I of Persia
annexed the region of Taxila during the third quarter of the second
century B.C.
A little later, Antialkidas ruled from Taxila as known from the
inscription from besnagar near Bhilsa. This inscription was incised on
the order of Heliodoros, who was the envoy of antialkidas in the court
of Besnagar. Heliodoros got a monolithic column built in honour of
vasudeva. Thus began the Bhakti cult of Vasudeva.
The last known greek kings were hippostratos and Hermaeus, the
former defeated by moga and the latter by khadphisus.
Indo-Greek influence declined from the time Bactria itself was attacked
by the nomadic tribes from central Asia, the scythians.
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The penetration of Indo-Greeks, as well as of sakas pahlavas and
Kushana influenced the government, society, religion literature and art
of ancient India. The very fact that India absorbed influences of these
foreigners speaks for the then youthful nature of Indian civilization.
The extent of Greek influence of Indian Civilisation is a most point.
Whatever the Greek influence that was felt by India came in the wake
of Alexander's invasion of the cast and the settlement of Greeks in the
Bactrian region. Alexander himself cannot be regarded as the standard
bearer of the heritage of ancient Greece. By the time Alexander and
his soldiers marched towards the east the culture of Greece was on the
decline hence at the most Alexander and his men could have spread a
debased version of the great Geek civilization represented by Socrates,
Plato, Phidia, Aristotle, Sophocles, Pythagoras and others. Despite the
fact that Alexander and his men could not be the true torch bearers of
Greek culture to the east, the traces of Greek influence could be
definitely found on India civilization.
To begin with, the invasion of Alexander left very little imprint on
Indian civilization. Indian rulers did not adopt the military tactics of
Alexander, but continued to rely on their forefold organization.
Although the region that was beyond the Hindu Kush in the Mauryan
period was definitely in close contact with whatever the Greek
influence that was there, the Greek influence was not felt in the
interior of India. Probably the use of stone in buildings and sculptures
by the Mauryas was inspired by the Greek practice of working in stone.
Columns of the Ionic order were definitely used in the buildings of
The decline of the Maurya Dynasty was rather rapid after the death of
Ashoka/Asoka. One obvious reason for it was the succession of weak
kings. Another immediate cause was the partition of the Empire into
two. Had not the partition taken place, the Greek invasions could have
been held back giving a chance to the Mauryas to re-establish some
degree of their previous power.
Regarding the decline much has been written. Haraprasad Sastri
contends that the revolt by Pushyamitra was the result of brahminical
reaction against the pro-Buddhist policies of Ashoka and pro-Jaina
policies of his successors. Basing themselves on this thesis, some
maintain the view that brahminical reaction was responsible for the
decline because of the following reasons.
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• (a) Prohibitino of the slaughter of animals displeased the
Brahmins as animal sacrifices were esteemed by them.
• (b) The book Divyavadana refers to the persecution of Buddhists
by Pushyamitra Sunga.
• (c) Asoka's claim that he exposed the Budheveas (brahmins) as
false gods shows that Ashoka was not well disposed towards
Brahmins.
• (d) The capture of power by Pushyamitra Sunga shows the
triumph of Brahmins.
All these four points can be easily refuted. Asoka's compassion
towards animals was not an overnight decision. Repulsion of animal
sacrifices grew over a long period of time. Even Brahmins gave it up
by the book Divyavadana, cannot be relied upon since it was during
the time of Pushyamitra Sunga that the Sanchi and Barhut stupas
were completed. Probably the impression of the persecution of
Buddhism was created by Menander's invasion who was a Budhhist.
Thridly, the word 'budheva' is misinterpreted because this word is to
be taken in the context of some other phrase. Viewed like this, this
word has nothing to do with brahminism. Fourthly, the victory of
Pushyamitra Sunga clearly shows that the last of the Mauryas was an
incompetent ruler since he was overthrown in the very presence of his
army, and this had nothing to do with brahminical reaction against
Asoka's patronage of Budhism. Moreover, the very fact that a Brahmin
was the commander in chief of the Mauryan ruler proves that the
Mauryas and the Brahmins were on good terms.
After all, the distinction between Hinduism and Buddhism in India was
purely sectarian and never more than the difference between saivism
and vaishnavism. The exclusiveness of religious doctrines is a Semitic
conception, which was unknown to India for a long time. Buddha
himself was looked upon in his lifetime and afterwards as a Hindu saint
and avatar and his followers were but another sect in the great Aryan
tradition. Ashoka was a Buddhist in the same way as Harsha was a
Budhist, or Kumarapala was a Jain. But in the view of the people of the
day he was a Hindu monarch following one of the recognized sects. His
own inscriptions bear ample withness to the fact. While his doctrines
follow themiddle path, his gifts are to the brahmibns, sramansa
(Buddhist priests) and others equally. His own name of adoption is
Devanam Priya, the beloved of the gods. Which gods? Surely the gods
of the Aryan religion. Buddhism had no gods of its own. The idea that
Ashoka was a kind of Buddhist Constantine declearing himself against
paganism is a complete misreading of India conditions. Asoka was a
kind or Buddhist Constantine declearing himself against paganism is a
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complete misreading of India conditions. Asoka was essentially a
Hindu, as indeed was the founder of the sect to which he belonged.
Raychaudhury too rebuts the arguments of Sastri. The empire had
shrunk considerably and there was no revolution. Killing the Mauryan
King while he was reviewing the army points to a palace coup detat
not a revolution. The organization were ready to accept any one who
could promise a more efficient organisation. Also if Pushyamitra was
really a representative of brahminical reaction he neighbouting kings
would have definitely given him assistance.
The argument that the empire became effete because of Asokan
policies is also very thin. All the evidence suggests that Asoka was a
stern monarch although his reign witnessed only a single campaign.
He was shrewd enough in retaining Kalinga although he expressed his
remorse. Well he was wordly-wise to enslave and-and-half lakh sudras
of Kalinga and bring them to the Magadha region to cut forests and
cultivate land. More than this his tours of the empire were not only
meant for the sake of piety but also for keeping an eye on the
centrifugal tendencies of the empire. Which addressing the tribal
people Asoka expressed his willingness to for given. More draconian
was Ashoka's message to the forest tribes who were warned of the
power which he possessed. This view of Raychoudhury on the pacifism
of the State cannot be substantiated.
Apart from these two major writers there is a third view as expressed
by kosambi. He based his arguments that unnccessary measures were
taken up to increase tax and the punch-marked coins of the period
show evidence of debasement. This contention too cannot be up held.
It is quite possible that debased coins began to circulate during the
period of the later Mauryas. On the other hand the debasement may
also indicate that there was an increased demand for silver in relation
to goods leading to the silver content of the coins being reduced. More
important point is the fact that the material remains of the post-
Asokan era do not suggest any pressure on the economy. Instead the
economy prospered as shown by archaeological evidence at
Hastinapura and Sisupalqarh. The reign of Asoka was an asset to the
economy. The unification of the country under single efficient
administration the organization and increase in communications meant
the development of trade as well as an opening of many new
commercial interest. In the post - Asokan period surplus wealth was
used by the rising commercial classes to decorate religious buildings.
The sculpture at Barhut and Sanchi and the Deccan caves was the
contribution of this new bourgeoisie.
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Still another view regarding of the decline of Mauryas was that the
coup of Pushyamitra was a peoples' revolt against Mauryans
oppression and a rejection of the Maurya adoption of foreign ideas, as
far interest in Mauryan Art.
This argument is based on the view that Sunga art (Sculpture at
Barhut and Sanchi) is more earthy and in the folk tradition that
Maruyan art. This is more stretching the argument too far. The
character of Sunga art changed because it served a different purpose
and its donors belonged to different social classes. Also, Sunga art
conformed more to the folk traditions because Buddhism itself had
incorporated large elements of popular cults and because the donors of
this art, many of whom may have been artisans, were culturally more
in the mainstream of folk tradition.
One more reasoning to support the popular revolt theory is based on
Asoka's ban on the samajas. Asoka did ban festive meetings and
discouraged eating of meat. These too might have entagonised the
population but it is doubtful whether these prohibitions were strictly
enforced. The above argument (people's revolt) also means that
Asoka's policy was continued by his successors also, an assumption
not confirmed by historical data. Further more, it is unlikely that there
was sufficient national consciousness among the varied people of the
Mauryan empire. It is also argued by these theorists that Asokan
policy in all its details was continued by the later Mauryas, which is not
a historical fact.
Still another argument that is advanced in favour of the idea of revolt
against the Mauryas is that the land tax under the Mauryas was onequarter,
which was very burden some to the cultivator. But historical
evidence shows something else. The land tax varied from region to
region according to the fertility of the soil and the availability of water.
The figure of one quarter stated by Magasthenes probably referred
only to the fertile and well-watered regions around Pataliputra.
Thus the decline of the Mauryan empire cannot be satisfactorily
explained by referring to Military inactivity, Brahmin resentment,
popular uprising or economic pressure. The causes of the decline were
more fundamental. The organization of administration and the concept
of the State were such that they could be sustained by only by kings of
considerably personal ability. After the death of Asoka there was
definitely a weakening at the center particularly after the division of
the empire, which inevitably led to the breaking of provinces from the
Mauryan rule.
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Also, it should be borne in mind that all the officials owed their loyalty
to the king and not to the State. This meant that a change of king
could result in change of officials leading to the demoralization of the
officers. Mauryas had no system of ensuring the continuation of wellplanned
bureaucracy.
The next important weakness of the Mauryan Empire was its extreme
centralization and the virtual monopoly of all powers by the king.
There was a total absence of any advisory institution representing
public opinion. That is why the Mauryas depended greatly on the
espionage system. Added to this lack of representative institutions
there was no distinction between the executive and the judiciary of the
government. An incapable king may use the officers either for
purposes of oppression or fail to use it for good purpose. And as the
successors of Asoka happened to be weak, the empire inevitably
declined.
Added to these two factors, there is no conception of national unity of
political consciousness. It is clear from the fact that even the
resistance against the greeks as the hated miecchas was not an
organized one. The only resistance was that of the local rulers who
were afraid of losing their newly acquired territory. It is significant that
when Porus was fighting Alexander, or when Subhagasena was paying
tribute to Antiochus, they were doing so as isolated rulers in the
northwest of India. They had no support from Pataliputra, nor are they
even mentioned in any Indian sources as offering resistance to the
hated Yavanas. Even the heroic Porus, who, enemy though he was,
won the admiration of the Greeks, is left unrecorded in Indian sources.
Another associated point of great importance is the fact that the
Mauryan Empire which was highly centralized and autocratic was the
first and last one of its kind. If the Mauryan Empire did not survive for
long, it could be because of the failure of the successors of Asoka to
hold on to the principles that could make success of such an empire.
Further, the Mauryan empire and the philosophy of the empire was not
in tune with the spirit of the time because Aryanism and brahminism
was very much there. According to the Brahmin or Aryan philosophy,
the king was only an upholder of dharma, but never the crucial or
architecture factor influencing the whole of life. In other words, the
sentiment of the people towards the political factor, that is the State
was never established in India. Such being the reality, when the
successors of Asoka failed to make use of the institution and the
thinking that was needed to make a success of a centralized political
authority. The Mauryan Empire declined without anyone's regret.
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Other factors of importance that contributed to the decline and lack of
national unity were the ownership of land and inequality of economic
levels. Land could frequently change hands. Fertility wise the region of
the Ganges was more prosperous than northern Deccan. Mauryan
administration was not fully tuned to meet the existing disparities in
economic activity. Had the southern region been more developed, the
empire could have witnessed economic homogeneity.
Also the people of the sub-continent were not of uniform cultural level.
The sophisticated cities and the trade centers were a great contrast to
the isolated village communities. All these differences naturally led to
the economic and political structures being different from region to
region. It is also a fact that even the languages spoken were varied.
The history of a sub-continent and their casual relationships. The
causes of the decline of the Mauryan empire must, in large part, be
attributed to top heavy administration where authority was entirely in
the hands of a few persons while national consciousness was unknown.
The splendour of the 'Dark Centuries'
The five centuries which passed between the decline of the first great
Indian empire of the Mauryas and the emergence of the great classical
empire of the Guptas has often been described as a dark period in
Indian history when foreign dynasties fought each other for short-lived
and ephemeral supremacy over Northern India. Apart from Kanishka's
Indo-Central Asian empire which could claim to be similar in size and
importance to has china, the parthians of Persia and to the
contemporary Roman empire this period did lack the glamour of large
empires. But this 'dark period' particularly the first two centuries AD
was a period of intensive economic and cultural contact among the
various parts of the Eurasian continent. Indian played a very active
role in stimulating these contacts. Buddhism which has been fostered
by Indian rulers since the days of Ashoka was greatly aided by the
international connections of the Indo-Greeks and the Kushanas and
thus rose to prominence in Central Asia. South India was establishing
its important links with the West and with Southeast Asia in this
period. These links especially those with southeast Asia, proved to be
very important for the future course of Asian history.
But India it self experienced important social and cultural changes in
this period. For centuries Buddhism had enjoyed royal patronage. This
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was partly due to the fact that the foreign rulers of India found
Buddhism more accessible than orthodox Hinduism. The Vedic
Brahmins had been pushed into the background by the course of
historical development all though Hinduism as such did not experience
a decline. On the contrary new popular cults arose around gods like
Shiva, Krishna and Vishnu-Vasudeva who had played only a marginal
role in an earlier age. The competition between Buddhism which
dominated the royal courts and cities and orthodox Brahminism which
was still represented by numerous Brahmin families every where left
enough scope for these new cults to gain footholds of their own, of
great importance for the further development of Hinduism and
particularly for the Hindu idea of kingship was the Kushana rulers
identification with certain Hindu gods - they were actually believed to
attain a complete identity with the respective god after their death.
Religious legitimation was of greater importance to these foreign rulers
than to other Indian kings. Menander's ashes had been distributed
according to the Buddhist fashion and Kanishka was identified with
Mithras but wima kadphises and Huvishka were closer to shiva as
shown by the images on their coins. Huvishka's coins provide a regular
almanac of the iconography of the early Shiva cult. The deification of
the ruler which was so prevalent in the Roman and Hellenistic world as
well as among the Iranians was thus introduced into India and left a
mark on the future development of Hindu Kingship.
Another future of crucial importance for the future political
development of India was the organization of the Shaka and Kushana
Empires had been, but were based on the large-scale incorporation of
local rulers. In subsequent centuries many regional Empires of India
were organized on this pattern.
The most well-known contribution of the 'dark-period' was a course, to
Indian art. After the early sculptures of the Mauryas which were
greatly influenced by the Iranian style, a new Indian style, a new
Indian style has fist emerged under Shungas and their successors in
the Buddhist monuments of Bharhut and Sanchi which particularly
showed a new style of relief sculpture. The merger of the Gandhara
school of art, with its Graeco-Roman style and the Mathura school of
art which included 'archaic' Indian elements and became the center of
Indo-Kushana art, finally led to the rise of the Sarnath school of art.
This school then set the pattern of the classical Gupta style.
Less-well-known, but much more important for the future
development of Hindu society, was the compilation of the authoritative
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Hindu law books (dharmasastra), the foremost of them being the code
of Manu which probably originated in the second or third century AD.
After the breakdown of the Maurya and Shunga Empires, there must
have been a period of uncertainty, which led to renewed interest in
traditional social norms. These were then codified so as to remain
inviolate for all times to come. If we add to this the resurgence of
Sanskrit, as testified by Rudradaman's famous rock inscription of the
second century AD. We see that this 'dark-period' actually contained
all the element of the classical culture of the Gupta age, Thus the
many splendoured and much maligned 'dark-period' was actually the
harbinger of the classical age.
POST-MAURYAN PERIOD (20BC -
300AD)
ECONOMY AND SOCIETY
In the post-Mauryan era (200 BC. To 300 A.D.) the economy moved at
an accelerated tempo. Society witnessed structural reorientation as
significant groups of foreigners penetrated into India and chose to be
identified with the rest of the community.
The occupation of craftsmen was an important segement of the day's
socio-economic milieu. The craftsment were not only associated with
the towns but also villages like Karimnagar in the Telengana region of
Andhra Pradesh. The categories of craftsmen who were known in this
period bear out the truth that there was considerable specialization in
mining and metallurgy. A large number of iron artifacts have been
discovered at various excavated sites relating to the Kushan and
Satavahans Periods. It is surprising to notice that the Telengana region
appears to have made special progress in iron artifacts - not only
weapons but also balance rods, sickles, ploughshares, razors and
ladels have been found in the Karimnagar and Nalgonda districts. Also,
cutlery made out of iron and steel was exported to the Abyssinian
ports.
Equally significant was the progress made in cloth-making and silkweaving.
Dyeing was a craft of repute in some south Indian towns like
Uraiyur, a shurb of Tiruchirapalli, and Arikamedu. The use of oil was
also high because of the invention of oil wheel. The inscriptions of the
day mention weavers, goldsmiths, dyers, workers in metal and ivory,
jewelers, sculptors, fishermen, perfumers and smiths as the donors of
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caves, pillars, tablets, cisterns etc. Among the luxury items the
important ones were ivory and glass articles and beed cutting. At the
beginning of the coristian era the knowledge of glass-blowing reached
India and attained its peak. Coin minting also reached a high level of
excellence made out of gold, silver, copper, bronze, lead and potin. A
coint mould of the Satavahans period shows that through it half a
dozen coins could be turned out a time.
In urban handicrafts the pride of place goes to the beautiful pieces of
terracotta produced in profuse quantities. They have been found in
most of the sites belonging to the Kushan and Satavahans periods. In
particular, terracotta figures of great beauty have been found in the
Nalgonda district of Telengana. The terracotta figures were mostly
meant for the use of upper classes in towns.
This immense manufacturing activity was maintained by guilds. At
least to dozen kinds of guilds were there. Most of the artisans known
from inscriptions hailed from the Mathura region and the western
Deccan which lay on the trade routes leading to the ports on the
western coast.
The guilds, coming from the days of the Mauryan period, became a
more important factor in the urban life both in being instrumental to
increase in production and moulding public opinion. The primary guilds
of the day were those of the potters, metal workers and carpenters.
Some guilds organized their own distribution system while owning a
large number of boats to transport goods from various ports on the
Ganges.
The guilds of the day fixed their own rules of work and the standards
of the finished products. They exercised care regarding price also to
safeguard the interest of both the artisan and the customer. They
controlled the price of the manufactured articles. He conduct of the
guild members was regulated through a guild court. The customary
uses of the guilds had the same force as those of laws.
The extensive activity of the guilds can be known from their seals and
emblems. The banners and insignia of each guild were carried in
procession of festive occasions. These prosperous guilds in addition,
donated large sums of money to religious institutions and charitable
causes.
Since the activity of the guilds was so buoyant, it appears that they
attracted the attention of kings too. It is said that kings had financial
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interests in guilds. Royalty invested its money in commercial activities.
This naturally led to protection being provided by State to the guilds.
Regarding the activities of guilds, it appears from inscriptions that they
acted asbankers, financiers and trustees although these activities were
carried out by a separate class of people known as sresthins. Usury
was a part of banking and the general rate of interest was around 15%
loans extended to sea-trade carried higher interest rate. An authority
of the day states that the rate of interest should vary according to the
caste of the man to whom money is lent.
Interestingly, apart from the guilds, there were workers bodies also.
The workers co-operative included artisans and various crafts
associated with a particular enterprise. The classic example of this
activity was the co-operative of builders, which has its members drawn
from specialized workers such as architects. Engineers, bricklayers etc.
The immense commercial activity was bolstered by the thriving trade
between India and the Easter Roman Empire. With the movement of
Central Asian people like Sakas, Parthians and Kushans, trade came to
be carried across the sea. Among the ports, the important ones were
Broach and Sopara on the western coast, and Arikamedu and
Tamralipti on the eastern coast. Out of these ports Broach was the
most important as not only goods were exported from here but a also
goods were received. Across land, the converging point of trade routes
was Taxila, which was connected with the Silk Route passing through
Central Asia. Ujjain was the meeting point of good number of trade
routes.
The trade between India and Rome mostly consisted of luxury goods.
To begin with Rome got her imports from the southern most portions
of the country. The Roman imports were Muslims, pearls, jewels and
precious stones from Central and South India. Iron articles formed an
important item of export to the Roman Empire. For certain articles
India became the clearing house, as for example, silk from China
because of impediments posed by the Parthian rule in Iran and the
neighboring areas.
The Romans, in return, exported to India various types of potters
found in excavations at places like Tamluk in West Bengal, Arikamedu
nevar Pondicherry and a few other places. Probably lead was important
from Rome. It is also presumed that the Kushans had brisk trade with
the Romans as they conquered Mesopotamia in 115 A.D. At a place
close to Kabul, glass jars made in Italy, Egypt and Syria have come to
light, apart from small bronze statues of Greko-Roman style, And the
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most significant Roman export to India was the gold and silver coins -
nearly 85 finds of Roman coins have been found. There is nothing
surprising in the lamentation of the Roman writer Pliny in the 1st
century A.D. that Roman was being drained of gold on account of
trade with India.
Indian kingdoms sent embassies to Rome the best known being the
one sent about 25 B.C. Which included strange collection of men and
animals-tigers, snakes, tortoises a monk and an armless boy who
could shoot arrows with his toes. This mission reached Rome during
the days of Emperor Augustus in 21 B.C.
In the southern kingdoms maritime trade occupied the pride of place.
The literature of the day refers to harbours, docks, light houses and
custom offices. Large variety of ships were built, both for short
distance as well as long distance voyages. According to pliny the
largest Indian ship was 75 tons. Other sources mention higher figures.
In the self-same period there was a boom in trade with south-East
Asia. This was first occasioned by the Roman demand for spices.
Gradually this trade grew in dimensions.
The growing number of strangers in the port towns and trade centers
led to their absorbing Indian habits as their numbers grew, social laws
of the day became rigid as to be seen from the law code of Manu.
Further as conversions to Hinduism was technically impossible the
non-Indian groups gradually grew into separate sub-castes. After all
the conversion of a single individual was a problem but the device of
caste made such absorption easier. Moreover the foreigners found it
easier to become Buddhists instead of Aryans. Faced one theoretical
knowledge confined to brahmins and the other practical and technical
knowledge which became the preserve of the professionals.
It was during this period Dharmashastras came to be written. These
Shastras made the social structure to be rigid. Apart from these
writings poetry and drama were also popular. The outstanding poem in
Tamil was Shilappadigaram. Another poem in Tamil was Manimegalai.
In Sanskrit, Asvaghosa and Bhasa were the two great dramatists. The
manuscripts of Asvaghosa were found in a monastry in Turdan in
Central Asia. Both of his plays deal with Buddhist themes. Bhasa
appeared a couple of centuries later. His plays are based on the
incident from the spics or historical romances around the exploits of
king udayan in Avanti.
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In the field of plastic art. Great were the achievement of this period
like the stupas at Sanchi and Bar hut the caves at Karlellora and
Ajanta. At Amravati the great age of painting began. Also the
sculptures at Amravati show a mastery of stone sculpture and with the
mathura school of sculpture the Indian tradition of sculpture began.
The booming trade and commerce of the period was at the base of the
urban settlements that came into existence. The important towns of
northern India were Vaishali, Pataliputra, Varanasi, Kausambi,
Sravasti, Hastinapur, Mathura and Indraprastha. Most of the towns
flourished in the Kushan period as revealed by excavations. The
excavations at Sonkh in Mathura show as many as seven levels of the
Kushan are but only one of the Gupta period. Again in Jalandhar,
Ludhiana and Ropar also several sites show good Kushan structures.
The Satayahans kingdown also witnessed thriving towns like Tagar,
Paithan, Dhanyakataka, Amravati, Nagarjunakonda, Broach, Sopara,
Arikamedu and Kaveripattanam.
HISTORY AND IMPACT OF
Indo-Greeks
After Alexander the Great, the greed seleukidan dynasty of Persia held
on to the trans-Indus region. After seleukos Nikator was defeated by
Chanragupta Maurya in 303 B.C. the trans-Indus region was
transferred to the Mauryas. In mid third century B.C. the seleukidan
rule was ended by two peoples. In Iran the parthiar became
independent and their sassanians in 226 A.D. In like manner the
greeks of Bactria rose in revolt under the leadership of Diodotus.
These Greeks were later known as Indo-Greeks when they gained a
foot-hold in the Indian sub-continent.
Bactria situated between the Hindu Kush and the oxus, was a fertile
region and it controlled the trade routes from Gandhara to the West.
The greek settlement in Bactria began in the 5th century B.C. when
Persian emperors settled the Greek exiles in that area.
Bactria figured in history with the revolt of diodotus against Antiochus
the seleukidan king. This breakaway of Bactria was recnised by the
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seleukidans when the grandson of Diodotus, Enthymemes. Was given
a seleukidan bride in about 200 B.C.
About the same time the seleukidan king defeated king subhagasena
after crossing the Hindu Kush in 206 B.C. This defeat reveals the
unguarded nature of northwestern India.
Thus begins the history of Indo-Greeks. The history of the Indo-Greeks
is mainly gathered from their coins. This evidence is very often
confusion because many kings had identical names.
The son of Euthydemos, Demetrios, Conquered modern southern
afghanistion and the Makran area he also occupied some parts of
Punjab. Then around 175 B.C. the homeland of Bactrians came to be
ruled by Eukratides, another branch of the Bactrians. His son
Demetrios-II penetrated deep into the Punjab proceeding along the
Indus, he penetrated till kutch.
The most known Indo-Greek was Menander, whose claim rests on the
Buddhist treatise the Questions of king Milinda-discussion between
menander and the Buddhist philosopher, Nagasena and he ruled the
Punjab from C.160 to 140 B.C.
Menander not only stabilized his power but extended his frontiers. His
coins are to be found in the region extending from Kabul to Mathura
near Delhi. He attempted to conquer the Ganges valley but in vain.
Probabley he was defeated by the Sungas.
After menander one Strato ruled. At that time Bactaria was rule by a
different group of Bactrians. Probably Mitrhadates - I of Persia
annexed the region of Taxila during the third quarter of the second
century B.C.
A little later, Antialkidas ruled from Taxila as known from the
inscription from besnagar near Bhilsa. This inscription was incised on
the order of Heliodoros, who was the envoy of antialkidas in the court
of Besnagar. Heliodoros got a monolithic column built in honour of
vasudeva. Thus began the Bhakti cult of Vasudeva.
The last known greek kings were hippostratos and Hermaeus, the
former defeated by moga and the latter by khadphisus.
Indo-Greek influence declined from the time Bactria itself was attacked
by the nomadic tribes from central Asia, the scythians.
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The penetration of Indo-Greeks, as well as of sakas pahlavas and
Kushana influenced the government, society, religion literature and art
of ancient India. The very fact that India absorbed influences of these
foreigners speaks for the then youthful nature of Indian civilization.
The extent of Greek influence of Indian Civilisation is a most point.
Whatever the Greek influence that was felt by India came in the wake
of Alexander's invasion of the cast and the settlement of Greeks in the
Bactrian region. Alexander himself cannot be regarded as the standard
bearer of the heritage of ancient Greece. By the time Alexander and
his soldiers marched towards the east the culture of Greece was on the
decline hence at the most Alexander and his men could have spread a
debased version of the great Geek civilization represented by Socrates,
Plato, Phidia, Aristotle, Sophocles, Pythagoras and others. Despite the
fact that Alexander and his men could not be the true torch bearers of
Greek culture to the east, the traces of Greek influence could be
definitely found on India civilization.
To begin with, the invasion of Alexander left very little imprint on
Indian civilization. Indian rulers did not adopt the military tactics of
Alexander, but continued to rely on their forefold organization.
Although the region that was beyond the Hindu Kush in the Mauryan
period was definitely in close contact with whatever the Greek
influence that was there, the Greek influence was not felt in the
interior of India. Probably the use of stone in buildings and sculptures
by the Mauryas was inspired by the Greek practice of working in stone.
Columns of the Ionic order were definitely used in the buildings of
satavahana
SATAVAHANA ACHIEVEMENTS
The government if the Satavahana kingdom was organized on the
traditional lines. The kingdom was divided into Janapadas, which were
further sub-divided into aharas. Each ahara was under an Amataya.
The basic unit of the ahara was the grama with the village headman
called gamika. Central control was maintained over the provices.
Princes were generally made viceroys. And the kings did not assume
high-sounding titles. They were expected to maintain dharma.
Taxation was not burden some. The state derived its income from
crown lands, court fees, fines and ordinary taxes on lands. The
extraordinary taxes of the Mauryan period were not imposed. In
general, Central control was not high because feudal traits emerged in
the Satavahana period. The feudal chiefs like maharathas
mahasenapatis and mahabhojas issued their own coins.
The area under the satavahanas in general witnessed considerable
prosperity. There was brisk trade. Broach was the most important port
and it had a vast and rich hinterland. Pratishthana produced cotton
cloth. Tagara and Ujjain produced muslin. The chief imports were
wines, copper, tin, lead and gold and silver coins. Another important
port was kalyan mentioned in the Perilus. The other ports were
Sopara, Goa and pigeon islands. Within the kingdom there were
important cities like Tagara, Prathishthana, Nasik, Junnar and
Dhanyakataka. Koddura and Chinnaganjam were the important ports
on the east. The general life led by the people was similar to the one
portrayed in Vatsayana's Kama-Sutra.
Evidence also shows that a good number of people emigrated from the
Deccan to colonize the regions in South-East Asia
The Satavahanas and Shiva were worshiped. Saptasataka reveals the
worship of many Hindu deities. Vaishnavasim and Shavism grew
popular. Gautamiputra-Satakarni claimed himself to be the protector
of brahmins. The Naisk prasasthi states that Varnashrama Dharmawas
maintained.
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Buddhism too was popular. Both the sakas and Satavahanas
encouraged Buddhism. Ushavadata mare several grants to Buddhist
monks. Some of these grants were renewed by Guatamiputra
Satakarni. Buddhist momuments and stupas came into existence at
Nasik, Vidisa, Bhattiprolu, Goli, Ghantasala and Amaravati. It was at
the last plece that most probably human figures were carved out for
the first time. And the stupa at this place had a marble railing with
relief sculptures. A vaijayanti merchant was responsible for enriching
Karle and Kanheri Buddhist caves. Merchants from Nasik contributed
to the caves at Vidisa and Bharhut. In brief cave architecture and
building of stupas witnessed certain development under the auspices
of the satavahanas; and the donations or the merchants belonging to
the guilds prove the commercial prosperity of the area.
Emcouraged by wealth the kings patronized literature and architecture.
Hala was an authority on the Puranas. He was the author of Sapta-
Sataka. It is said that Hala paid as much as 40 million pieces of gold
for four kavyas. Leelavati deals with the military campaigns of Hala.
The kings encouraged architecture. The five gateways at Sanchi the
rock-cut Chaity-halls of Bhaja, Karle, Nasik and Kanheri and the stupas
at Amaravati, Bhattiprolu, Goli and Ghantasala were built in this
period. The capitals of the pillars in Karle caves are elaborately
sculptured. The dome and the base of the Amaravati stupa is
elaborately sculptured. Jataka stories were incised on marble slabs.
The upper part of the dome is a beautiful floral design. It is generally
said that its construction began during the t8ime of Gautamiputra
Satakarni and was completed during the time of Yajna Sri Satakarni.
Most probably two Ajanta Frescoes (9th and 10th) came into existence
during this period.
The satavahanas weregreat excavators of cave temples and the
magnificent temples of Ellora and Ajanta were the continuation of the
Satavahana tradition to which all Middle Indian dynasties in succeeding
ages claimed historic relationship. The basic tradition in Middle India is
of the Satavahana empire. As in the north it is of the Mauryan. From
the point of view of historic continuity it is important to remember this
primary fact as up to quite recent times the traditions flowing from the
satavahanas were living factors in Indian history.
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Significance Of The Satavahanas
(1) It was the emergence of Vakataka power in the Vindhya area some
where about the middle of the third century that brought about the
downfall of the Satavahanas. But an empire so firely established in its
home domains does not break down with the fall of a dynasty. The
Rastrakutas and the Chalukyas in the Godavari valley and the Pallavas
in the south originally the viceroys of the Satavahanas, claimed
successtion to the empire with in their own territorial limits as the
Vakatakas claimed it to the north of the Vindhyas. The Gangas and the
Kadambas were also the inheritors of the tradition and as the
Vijayanagar emperors claimed in time to be Chalukya Chudamanis, or
the crest jewels of the Chalukya dynasty and as the great kings of
Gujarat equally claimed succession from the Chalukyas, the imperial
tradition of the Satavahanas may be said to have been carried forward
at least to the beginning of the seventeenth century.
(2) The rise of the Satavahanas signified that the economic revolution
of the Gangetic region was repeated allover India. Added to this
because of the peculiar geographical terrain of the Deccan peninsula a
number of small kingdoms came into existence but not any big empire.
(3) Since the Satavahanas had controlled part of the Deccan and part
of northern India, they acted as the couriers of Aryanism to southern
India.
(4) It is intriguing to note that the Satavahana inscriptions were
primarily in pali but not in Sanskrit indicating it look long time to
establish Sanskrit language as the language of the elite although
people professed Aryanism much earlier.
(5) The administrative structure of the Satavahana is a revealing one
because it was not a highly centralized administration and it conceded
the emergence of feudalism. Feudal chiefs like Mahara this
mahasenapatis and mahabhojas issued their own coins.
(6) The artistic excellence that was achieved under the aegis of the
Satavahanas had a tremendous significance. Buddhist mouments came
into existence at Nasik, Vidisha, Bhattiprolu, Goli, Ghantasala and
amaravati. Most probably human figure was first carved out at
Amaravati and Amaravati's sculptures influenced South-east Asian
sculptures.
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(7) Under the aegis of the Satavahanas trade was given a boost. The
important pores were Koddura and Chinnaganjam on the east and
Kalyan, Sopara, Goa and Pigeon islands on the West coast. And some
of the important commercial centers were Tagara, Pratishthana, Nasik,
Junnar and Dhanyakataka.
Saka-satavahana Conflict
1. There is controversy about the name 'Sakas'. Some hold the view
that they were probably. One branch of them was known as
kshabaratas. Some say Nahapana was a pahlava and Ghasmotika the
father of Chashtana was Scythian. It was from the Gupta period that
the name 'saka' came to be applied to this family of people.
2. The one reason that was responsible for the southward thrust of the
sakas was the Kushan pressure from the north.
3. To begin with they established themselves in western Rajputana,
Gujarat and Kathiawad. Then they took malva and even northern
Maharashtra from the Satavahanas. At one time they even got
southern Maharashtra as far as Vijayanti from the Satavahanas.
4. The earliest known king of the Kshaharatas, a branch of the Sakas,
was Bhumaka. He ruled over Gujarat, Kathiawad and north
Konkancoins belonging to him are found.
5. His successor was Nahapana-title Raja-numerous coins-advanced at
the expense of Satavahanas-this advance began five years before the
end of Nahapana's rule. After Nahapana defeated the Satavahana he
assumed the title of Maha Kshatrapa. A Jaina work mentions Broach as
the capital of Nahapana.
6. Ushavadata was the general and son-in-law of Nahapana and he
succeeded him as the Saka ruler. He took western deccan including
Malva. It is not known whether Paithan, the capital of Satavahanas
was lost or not. He defeated Satavahana rulers were Sundara
Satakarni, Chakora Satakarni and Siva sati.
It is interesting to note that Ushavadata following Puranic Hinduism
gve cows to brahmins - visited Pushiar - gave religious benefactions -
Be great in act, as you have been in thought. Page 33 of 56
also gave viallages to Buddhists - Saka country was divided into
districts.
7. It was Gautamiputra Satakarni who revived the glories of
Satavahanas. He defeated the successor of Nahapana, Ushavadata
was killed. Some say that he defeated Nahapana. Also a Jaina work
speaks of Nahapana's defeat and death at the hands of Satavahanas.
The coins of Nahapana were re-issued by Gautamiputra Satakarni.
Some land grants also confirm this victory. It is said that the
Satavahana king made preparations for 16 years to defeat the Sakas.
8. The coflict was re-opened during the days of Pulumayi II, the king
after Gautamiputra Satakarni, as well as, Sri Pulumayi.
9. After this Ghamotika appeared on the stage who ruled over
Kathiwad. His successor, Ghashtana also infliceted defeats on the
Satavahanas. Rudraman too defeated the Satavahanas. The victory of
Rudraman and Ghastana around 150 A.D. (cofirmed by Junagarh
inscription) mad the Patavahanas lose all their northern conquests.
Significance:-
(1) The conflict between the Sakas and Satavahanas was inevitable as
such conflicts were natural in feudal times. Probably the Sakas were
perforce dieven to expand southward because of the establishment of
Kushan empire. The Saka-Satavahana conflict was because of the
basic factors working in the political dynamic of the day.
(2) The Sakas issued coins of great artistic value. Gatuamiputra
Satakarni re-issued the coins of Nahapana. In other words, the Sakas
had a better artistic sense.
(3) Evidence shows that the Sakas introduced new ideas and
institutions in south-silver coins, free use of Sanskrit and Vigorour
patronage of Buddhists and brahmins. Kshaharatas used Khoreshthi -
alphabet of extreme north-west.
Be great in act, as you have been in thought. Page 34 of 56
Sanskrit
Sanskrit is a remote cousin of all the language of Europe ecepting the
Finnish, Hungarian, Turkish and basqe. Around 2000 B.C. an ancestral
group of dialects arose among the tribesmen of South Russia.
With Panini (probably 4th century B.C.) the Sanskrit language reached
its classical form. It developed a little thense forward except in its
vocabulary. The grammer of Panini, Asthadhyayi, pre-supposes the
work of may earlier grammarians. Latter grammars are mostly
commentaries on Panini, the chief being Mahabashya by Patanjali
(second century B.C.) and the Banaras-commentary of Jayaditya and
Vamana (seventh century A.D.).
It was from the time of Panini onwards that the language began to be
called Samskarta, perfected or refined, as opposed to Prakras
(natural), the popular dialects which had grown over time. In all
probability, Panini bsed his work on the languages as it was spoken in
the north west. Beginning as the lingua franca of the priestly class, it
gradually became that of the governing class also. The first important
dynasty to use Sanskrit was that of the Sakas of Ujjain and the
inscriptions of Rudraman at Girnar. Otherwise, the Maurya and the
other important dynasty till the Guptas used Prakrit for their official
pronouncements.
The Language of the Rig Veda was already archaic when the hymns
were composed and the ordinary Aryan spoke a sompler tongue, moer
closely akin to classical Sanskrit. By the time of the Buddha themasses
were speaking languages which were much simpler than Sanskrit.
These were the prakrits. The ordinary speech of Ancient India has
been preserved forus largely throughthe unorthodox religions. Most
inscriptions of pre-Gupta time are in Prakrit. The women and humbler
characters of the Sanskrit drama are made to speak in formalized
prakrit of various dialects. A few of secular literary works were
composed in Prakrit.
Classical Sanksrit increasing became thelanguage of brahmins and the
learned few. Its use was restricted to certainoccasions such as issuing
of proclamations and during the performance of Vedic ceremonies. In
the towns and villages a popular form of Sanksrit, known as Prakrit,
came into the existence. There were a breat number of local
variations. The chief western variety was called Shuraseni and the
eastern variety, Magadhi, Pali was another popular language based on
Be great in act, as you have been in thought. Page 35 of 56
Sanksrit. It, too, was used in the same religions as Prakrit. The
Buddha, to reach more people, taught in Magadhi.
Speaking of literature, the four Vedas and the Brahmins and
Upnishadas have some literary qualities. Some hymns of the Rig Veda
and some parts of the early Upnishadas have some merit. Otherwise,
they are mostly dry and monotonous.
In the 1028 hymns of the Rig Veda there is a great variety of styled
and merit. The hymns contain many repetitions and the majority of
them have the sameness of outlook. A number of hymns show
deployment feeling for nature, as for example, the hymns to Ushas. A
few vedic hymns are primarily secular, as for example the Gamester's
Lament.
Very tittle of liverary quality is there in the later Vedic literature the
Atherva veda mostly a monotonous collection contains a few poems of
great merit. The prose Brahmanas, though written in simple and
straight forward language have little literary merit.
Thus the earliest Indian literature is to be found in the Mahabharata
and the Ramayana. The Mahabharata consisting of 90,00 stanzas, is
probably the longest single poem in the world's literature. Ignoring the
interpolations, the style of the Mahabharata is direct and vivid though
consisting of repeated clinches and stock epithets, typical of epic
literature every where. The chief characters are delineated in a very
simple outline but with an individuality which makes them real
persons.
The other epic Ramayana also contains interpolations but they are
much briefer and are mostly didactic. The main body of the poem
gives the impression of being the work of one author whose style was
based on that of the other epic to show some kinship to that of
classical Sanskrit poetry. The style of the Ramayana is less rugged
than that of the Mahabharata. It is a work of greater art and it
contains many dramatic passages and beautiful descriptive writing.
The earliect surviving Sanskrit poetry is that of the Buddhist writer
Ashvaghosa who probably lived in the Ist century A.D. He composed
the Buddha-Charitra in a comparatively simple classical style. The
Girnar inscription of Rudradaman, dated 150 A.D. is the earliest
surviving example of Sanskrit prose.
Be great in act, as you have been in thought. Page 36 of 56
The earliest surviving prose stories are a few narrative episodes in the
Brahmanas followed by the pali Jatakas. It was in the Gupta period
that ornate Sanskrit prose was developed. The chief writers in this
style were Dandin, Subandhu and Bana.
Prakrit
Chronologically pali is the first Sanskrit language and various Prakrits
oppeared later. Even the meaning of the word 'Pali' underwent
changes. In the final stages the word "Pali" meant language of the
texts of Theravada Buddhism. The Tripitaka meaning three baskets are
books which consist of the canons of the Theravada sect. One part of it
deals with the monastic discipline. The second part lays down
principles of Buddhism. And the last part deals with various subjects
like ethics psychology theories of knowledge and metaphysical
problems.
Besides the canonical literature, there was also non-canomical
literature in pali. In pali liberature the earlieat works relate to the
Jataka stories. The early poetry consisted of a few verses from the
songs of the older monks and Nuns, a collection of poems ascribed
wrongly to the great disciples of the Buddha in the early days of the
order. The style of these is simpler then Sanskrit literature and
suggests influence of popular song. The book milinda panda is the
most important one. Its subject matter is the dialogue between Milinda
and monk Nagasena over some problems of the Buddhist faith. This
particular kind of canonical literature in pali was practised in Ceylon
also. The classical works Depavamsa and Mahavamsa, the two great
chronicles of Ceylon and also some grammatical metrical and
lexicographical texts were written in pali.
Now for the word "Prakrit". It stands for all the middle Indo-Aryan
speeches which belong to an era between Sanskrit on the one hand
and Aryan languages it has sectarian value since it was exclusively
used as the speech of the Hinayana Buddhism.
From the earliest times to the first century A.D. inscriptions were
composed exclusively in Prakrit. Asoka left behind 30 inscriptions in
Prakrit. Even in literature prakrit came to be used particularly in plays.
And prakrit itself consists of different dialects. There were several
other prakrits of lesser importance. By the time of the Guptas the
prakrits were standardized and had lost their local character. The
vernaculars had already developed beyond them. What panini did for
Be great in act, as you have been in thought. Page 37 of 56
Sanskrit others did dor the Prakrits and they began to resemble more
the languages actually were based on the conventions of dramatic
theory and they never represented popular life. Now did they reflect in
any way the linguistic conditions of society. Some plays are composed
exclusively in Prakrit and they are technically called sttakas. The
Karpuramanjari (about 900 A.D.) Rajasekhara depicting love between
man and woman is the most important work of this type.
Continuting the secular aspect of Prakrit language a number of stanzas
were written both on love and maxims. The most remarkable amongst
such texts is the Gatha Saptasati of Hala one of the Satavahana rulers.
This book consists of 700 stanzas about love depicting the varied
phases of South Indian rural life. The king probably ruled in the Ist
century A.D. The poems are notable for their consciseness and for
their great economy of words and masterly use of suggestions. Some
poems contain simple and natural descriptions and references to the
lives of peasants and the lower class. More important is the fact that
narrative literature and epic poems are fairly extensive in Prakrit. The
most noteworthy among themare the Brihatkatha of Gunadhya
composed in Paisachi dialect and Setubandha of Pravarasena.
Apart from secular literature prakrit was used for religious literature
also like the Jaina canonical works. It was during the 5th century A.D.
that most of the Jaina canons were written down. In prakrit literature
the Jaina writings have very little literary the poetry of the Jainas is
better than prose. Its poetry is written in lively vernacular style.
Furthermore it is to be stated here that scholars treated Apabhramas
as a kind of Prakrit. It boasts of extensive literature particularly
narrative stories. The first writer to make use of it was Asvaghosa. The
others who followed the example were Bhasa (3rd century A.D.) and
later Visakhadatta and kalidasa.
In the Apabhramsa the meter doha was adopted as powerful form of
expression of religious and philosophical thoughts. Both Jaina monks
and contemporary writers of Tantrik Bhddhism utilized this meter.
Incidentally stray poems dealing with morals maxims ethics religious
discourses and legenos were commonly written in Apabhramsa. Among
the Jains the columinous texts on the life and activities of Jaina heroes
were written in Apabhramsa. It may be noted here in the end that
Apabhramsa, Sanskrit and Prakrit had a great influence both on
Gujarati and Hindi as late as the 16th century.
Be great in act, as you have been in thought. Page 38 of 56
Futhermore Prakrit is of linguistic importance since it is illustrative of
the linguistic evolution from Prakrit to Apabhramsa and finally to a new
regional language. Apabhramsa meaning falling down was a corrupt
form of Prakrit dialect. It is believed to have originated in the northwest
and traveled from that region along with the migrant people who
scattered and settled incentral and western India after the Huna
invasions. The Prakrit as used by Jains was greatly influenced by
Apabhramsa. It is here that the link between the older and the new
languages of Maharashtri and Gujarati is evident.
India's Impact on Southeast Asia
Causes and Consequences
The transmission of Indian culture of distant parts of Central Asia,
China, Japan, and especially Southeast Asia is certainly one of the
greatest achievements of Indian history or even of the history of
mankind. None of the other great civilizations - not even the Hellenic -
had been able to achieve a similar success without military conquest.
In this brief survey of India's history, there is no room for an adequate
discussion of the development of the 'Indianised' states of Southeast
Asia which can boast of such magnificent temple cities as Pagan
(Burma; constructed from 1044 to 1287 AD,) Angkor (Combodia;
constructed from 889 to c. 1300 AD), and the Borobudur (Java, early
ninth century AD). Though they were influenced by Indian culture,
they are nevertheless part and parcel of the history of those respective
countries. Here we will limit our observations to some fundamental
problems oncerning the transmission of Indian culture to the vast
region of Sotheast Asia.
Who Spread Indian Culture in Southeast Asia ?
Historians have formulated several theories regarding the transmission
of Indian culture of Southeast Asia :
(1) the 'Kshatriya' theory;
(2) the 'Vaishya' theory;
(3) the 'Brahmin' theory.
The Kshatriya theory states that Indian warriors colonized Southeast
Asia; this proposition has now been rejected by most scholars
although it was very prominent some time ago.
Be great in act, as you have been in thought. Page 39 of 56
The Vaishya theory attributes the spread of Indian cultura to traders;
it is certainly much more plausible than the Kshatriya theory, but does
not seem to explain the large number of Sanskrit loan words in
Southeast Asian languages.
The Brahmin hypothesis credits Brahmins with the transmission of
Indian culture; this would account for the prevalence of these
loanawards; but may have to be amplified by some reference to the
Buddhists as well as to be amplified by some reference to the
Buddhsits as well as to the traders. We shall return to these theories,
but first we shall try to understand the rise and fall of the Kshatriya
theory.
It owed its origin to the Indian freedom movement. Indian historians,
smarting under the stigma of their own colonical sujection, tried to
compensate for this by showing that al leat in ancient times Indians
had been strong enough to establish colonise of their own. In 1926 the
Greater India society was established in Calcutta and in subsequent
years the renewed Indian historia R.C. Majumdar published his series
of studies, Ancient Indian colonise in the Far East. This school held
that Indian kings and warriors had established such colonise and the
Sanksrit names of South east Asian rulers seemed to provide ample
supporting evidence. At least this hypothesis stimulated further
research, though it also alienated those intellectuals of Southeast Asia
who rejected the idea of having once been colonized by a 'Greater
India'. As research progressed it was found that there was vary little
proof of any direct Indian political influence in those states of
Southeast Asia. Furthermore, it was demonstrated that Southeast
Asian rulers had adopted Sanskrit names the mselves - thus such
names could not be adduced as evidence for the presence of Indian
kings.
The Vaishya theory, in contrast, emphasized a much more important
element of the Indian connection with Southeast Asia. Trade had
indeed been the driving force behind all these early contacts.
Inscriptions also showed that guids of Indian merchants had
established outposts in many parts of Southeast Asia. Some of their
inscriptions were written in languages such as Tamil. However, if such
merchants had been the chief agents of the transmission of Indian
culture, then all their languages should have made an impact on those
of Southeast Asia. But this was not so : Sanskrit and, to some extent,
languages. The traders certainly provided an important transmission
belt for all kinds of cultural influences. Nevertheless, they did not play
Be great in act, as you have been in thought. Page 40 of 56
the crucial role which some scholars have attributed to them. One of
the most important arguments against the Vaishya theory is that some
of the earliest traces of Indianised states in Southeast Asia are not
found in the coastalareas usually frequented by the traders, but in
mountainous, interior areas.
The Brahmin theory is in keeping with what we have shown with
regard to the almost contemporary spread of Hindu culture in
Southern and Central India. There Brahmins and Buddhist and Jain
monks played the major role in transmitting cultural values and
symbols, and in disseminating the style of Hundu kingship. In addition
to being religious specialists, the Brahmins also knew the Sanskrit
codes regarding law (dharmasastra), the art of government
(arthasastra), and art and architecture (silpasastra). They could taus
serve as development planners' in many different fields and were
accordingly welcome to Southeast Asian rulers who may have just
emerged from what we earlier described as first-and second phase
state formation.
The government if the Satavahana kingdom was organized on the
traditional lines. The kingdom was divided into Janapadas, which were
further sub-divided into aharas. Each ahara was under an Amataya.
The basic unit of the ahara was the grama with the village headman
called gamika. Central control was maintained over the provices.
Princes were generally made viceroys. And the kings did not assume
high-sounding titles. They were expected to maintain dharma.
Taxation was not burden some. The state derived its income from
crown lands, court fees, fines and ordinary taxes on lands. The
extraordinary taxes of the Mauryan period were not imposed. In
general, Central control was not high because feudal traits emerged in
the Satavahana period. The feudal chiefs like maharathas
mahasenapatis and mahabhojas issued their own coins.
The area under the satavahanas in general witnessed considerable
prosperity. There was brisk trade. Broach was the most important port
and it had a vast and rich hinterland. Pratishthana produced cotton
cloth. Tagara and Ujjain produced muslin. The chief imports were
wines, copper, tin, lead and gold and silver coins. Another important
port was kalyan mentioned in the Perilus. The other ports were
Sopara, Goa and pigeon islands. Within the kingdom there were
important cities like Tagara, Prathishthana, Nasik, Junnar and
Dhanyakataka. Koddura and Chinnaganjam were the important ports
on the east. The general life led by the people was similar to the one
portrayed in Vatsayana's Kama-Sutra.
Evidence also shows that a good number of people emigrated from the
Deccan to colonize the regions in South-East Asia
The Satavahanas and Shiva were worshiped. Saptasataka reveals the
worship of many Hindu deities. Vaishnavasim and Shavism grew
popular. Gautamiputra-Satakarni claimed himself to be the protector
of brahmins. The Naisk prasasthi states that Varnashrama Dharmawas
maintained.
Be great in act, as you have been in thought. Page 30 of 56
Buddhism too was popular. Both the sakas and Satavahanas
encouraged Buddhism. Ushavadata mare several grants to Buddhist
monks. Some of these grants were renewed by Guatamiputra
Satakarni. Buddhist momuments and stupas came into existence at
Nasik, Vidisa, Bhattiprolu, Goli, Ghantasala and Amaravati. It was at
the last plece that most probably human figures were carved out for
the first time. And the stupa at this place had a marble railing with
relief sculptures. A vaijayanti merchant was responsible for enriching
Karle and Kanheri Buddhist caves. Merchants from Nasik contributed
to the caves at Vidisa and Bharhut. In brief cave architecture and
building of stupas witnessed certain development under the auspices
of the satavahanas; and the donations or the merchants belonging to
the guilds prove the commercial prosperity of the area.
Emcouraged by wealth the kings patronized literature and architecture.
Hala was an authority on the Puranas. He was the author of Sapta-
Sataka. It is said that Hala paid as much as 40 million pieces of gold
for four kavyas. Leelavati deals with the military campaigns of Hala.
The kings encouraged architecture. The five gateways at Sanchi the
rock-cut Chaity-halls of Bhaja, Karle, Nasik and Kanheri and the stupas
at Amaravati, Bhattiprolu, Goli and Ghantasala were built in this
period. The capitals of the pillars in Karle caves are elaborately
sculptured. The dome and the base of the Amaravati stupa is
elaborately sculptured. Jataka stories were incised on marble slabs.
The upper part of the dome is a beautiful floral design. It is generally
said that its construction began during the t8ime of Gautamiputra
Satakarni and was completed during the time of Yajna Sri Satakarni.
Most probably two Ajanta Frescoes (9th and 10th) came into existence
during this period.
The satavahanas weregreat excavators of cave temples and the
magnificent temples of Ellora and Ajanta were the continuation of the
Satavahana tradition to which all Middle Indian dynasties in succeeding
ages claimed historic relationship. The basic tradition in Middle India is
of the Satavahana empire. As in the north it is of the Mauryan. From
the point of view of historic continuity it is important to remember this
primary fact as up to quite recent times the traditions flowing from the
satavahanas were living factors in Indian history.
Be great in act, as you have been in thought. Page 31 of 56
Significance Of The Satavahanas
(1) It was the emergence of Vakataka power in the Vindhya area some
where about the middle of the third century that brought about the
downfall of the Satavahanas. But an empire so firely established in its
home domains does not break down with the fall of a dynasty. The
Rastrakutas and the Chalukyas in the Godavari valley and the Pallavas
in the south originally the viceroys of the Satavahanas, claimed
successtion to the empire with in their own territorial limits as the
Vakatakas claimed it to the north of the Vindhyas. The Gangas and the
Kadambas were also the inheritors of the tradition and as the
Vijayanagar emperors claimed in time to be Chalukya Chudamanis, or
the crest jewels of the Chalukya dynasty and as the great kings of
Gujarat equally claimed succession from the Chalukyas, the imperial
tradition of the Satavahanas may be said to have been carried forward
at least to the beginning of the seventeenth century.
(2) The rise of the Satavahanas signified that the economic revolution
of the Gangetic region was repeated allover India. Added to this
because of the peculiar geographical terrain of the Deccan peninsula a
number of small kingdoms came into existence but not any big empire.
(3) Since the Satavahanas had controlled part of the Deccan and part
of northern India, they acted as the couriers of Aryanism to southern
India.
(4) It is intriguing to note that the Satavahana inscriptions were
primarily in pali but not in Sanskrit indicating it look long time to
establish Sanskrit language as the language of the elite although
people professed Aryanism much earlier.
(5) The administrative structure of the Satavahana is a revealing one
because it was not a highly centralized administration and it conceded
the emergence of feudalism. Feudal chiefs like Mahara this
mahasenapatis and mahabhojas issued their own coins.
(6) The artistic excellence that was achieved under the aegis of the
Satavahanas had a tremendous significance. Buddhist mouments came
into existence at Nasik, Vidisha, Bhattiprolu, Goli, Ghantasala and
amaravati. Most probably human figure was first carved out at
Amaravati and Amaravati's sculptures influenced South-east Asian
sculptures.
Be great in act, as you have been in thought. Page 32 of 56
(7) Under the aegis of the Satavahanas trade was given a boost. The
important pores were Koddura and Chinnaganjam on the east and
Kalyan, Sopara, Goa and Pigeon islands on the West coast. And some
of the important commercial centers were Tagara, Pratishthana, Nasik,
Junnar and Dhanyakataka.
Saka-satavahana Conflict
1. There is controversy about the name 'Sakas'. Some hold the view
that they were probably. One branch of them was known as
kshabaratas. Some say Nahapana was a pahlava and Ghasmotika the
father of Chashtana was Scythian. It was from the Gupta period that
the name 'saka' came to be applied to this family of people.
2. The one reason that was responsible for the southward thrust of the
sakas was the Kushan pressure from the north.
3. To begin with they established themselves in western Rajputana,
Gujarat and Kathiawad. Then they took malva and even northern
Maharashtra from the Satavahanas. At one time they even got
southern Maharashtra as far as Vijayanti from the Satavahanas.
4. The earliest known king of the Kshaharatas, a branch of the Sakas,
was Bhumaka. He ruled over Gujarat, Kathiawad and north
Konkancoins belonging to him are found.
5. His successor was Nahapana-title Raja-numerous coins-advanced at
the expense of Satavahanas-this advance began five years before the
end of Nahapana's rule. After Nahapana defeated the Satavahana he
assumed the title of Maha Kshatrapa. A Jaina work mentions Broach as
the capital of Nahapana.
6. Ushavadata was the general and son-in-law of Nahapana and he
succeeded him as the Saka ruler. He took western deccan including
Malva. It is not known whether Paithan, the capital of Satavahanas
was lost or not. He defeated Satavahana rulers were Sundara
Satakarni, Chakora Satakarni and Siva sati.
It is interesting to note that Ushavadata following Puranic Hinduism
gve cows to brahmins - visited Pushiar - gave religious benefactions -
Be great in act, as you have been in thought. Page 33 of 56
also gave viallages to Buddhists - Saka country was divided into
districts.
7. It was Gautamiputra Satakarni who revived the glories of
Satavahanas. He defeated the successor of Nahapana, Ushavadata
was killed. Some say that he defeated Nahapana. Also a Jaina work
speaks of Nahapana's defeat and death at the hands of Satavahanas.
The coins of Nahapana were re-issued by Gautamiputra Satakarni.
Some land grants also confirm this victory. It is said that the
Satavahana king made preparations for 16 years to defeat the Sakas.
8. The coflict was re-opened during the days of Pulumayi II, the king
after Gautamiputra Satakarni, as well as, Sri Pulumayi.
9. After this Ghamotika appeared on the stage who ruled over
Kathiwad. His successor, Ghashtana also infliceted defeats on the
Satavahanas. Rudraman too defeated the Satavahanas. The victory of
Rudraman and Ghastana around 150 A.D. (cofirmed by Junagarh
inscription) mad the Patavahanas lose all their northern conquests.
Significance:-
(1) The conflict between the Sakas and Satavahanas was inevitable as
such conflicts were natural in feudal times. Probably the Sakas were
perforce dieven to expand southward because of the establishment of
Kushan empire. The Saka-Satavahana conflict was because of the
basic factors working in the political dynamic of the day.
(2) The Sakas issued coins of great artistic value. Gatuamiputra
Satakarni re-issued the coins of Nahapana. In other words, the Sakas
had a better artistic sense.
(3) Evidence shows that the Sakas introduced new ideas and
institutions in south-silver coins, free use of Sanskrit and Vigorour
patronage of Buddhists and brahmins. Kshaharatas used Khoreshthi -
alphabet of extreme north-west.
Be great in act, as you have been in thought. Page 34 of 56
Sanskrit
Sanskrit is a remote cousin of all the language of Europe ecepting the
Finnish, Hungarian, Turkish and basqe. Around 2000 B.C. an ancestral
group of dialects arose among the tribesmen of South Russia.
With Panini (probably 4th century B.C.) the Sanskrit language reached
its classical form. It developed a little thense forward except in its
vocabulary. The grammer of Panini, Asthadhyayi, pre-supposes the
work of may earlier grammarians. Latter grammars are mostly
commentaries on Panini, the chief being Mahabashya by Patanjali
(second century B.C.) and the Banaras-commentary of Jayaditya and
Vamana (seventh century A.D.).
It was from the time of Panini onwards that the language began to be
called Samskarta, perfected or refined, as opposed to Prakras
(natural), the popular dialects which had grown over time. In all
probability, Panini bsed his work on the languages as it was spoken in
the north west. Beginning as the lingua franca of the priestly class, it
gradually became that of the governing class also. The first important
dynasty to use Sanskrit was that of the Sakas of Ujjain and the
inscriptions of Rudraman at Girnar. Otherwise, the Maurya and the
other important dynasty till the Guptas used Prakrit for their official
pronouncements.
The Language of the Rig Veda was already archaic when the hymns
were composed and the ordinary Aryan spoke a sompler tongue, moer
closely akin to classical Sanskrit. By the time of the Buddha themasses
were speaking languages which were much simpler than Sanskrit.
These were the prakrits. The ordinary speech of Ancient India has
been preserved forus largely throughthe unorthodox religions. Most
inscriptions of pre-Gupta time are in Prakrit. The women and humbler
characters of the Sanskrit drama are made to speak in formalized
prakrit of various dialects. A few of secular literary works were
composed in Prakrit.
Classical Sanksrit increasing became thelanguage of brahmins and the
learned few. Its use was restricted to certainoccasions such as issuing
of proclamations and during the performance of Vedic ceremonies. In
the towns and villages a popular form of Sanksrit, known as Prakrit,
came into the existence. There were a breat number of local
variations. The chief western variety was called Shuraseni and the
eastern variety, Magadhi, Pali was another popular language based on
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Sanksrit. It, too, was used in the same religions as Prakrit. The
Buddha, to reach more people, taught in Magadhi.
Speaking of literature, the four Vedas and the Brahmins and
Upnishadas have some literary qualities. Some hymns of the Rig Veda
and some parts of the early Upnishadas have some merit. Otherwise,
they are mostly dry and monotonous.
In the 1028 hymns of the Rig Veda there is a great variety of styled
and merit. The hymns contain many repetitions and the majority of
them have the sameness of outlook. A number of hymns show
deployment feeling for nature, as for example, the hymns to Ushas. A
few vedic hymns are primarily secular, as for example the Gamester's
Lament.
Very tittle of liverary quality is there in the later Vedic literature the
Atherva veda mostly a monotonous collection contains a few poems of
great merit. The prose Brahmanas, though written in simple and
straight forward language have little literary merit.
Thus the earliest Indian literature is to be found in the Mahabharata
and the Ramayana. The Mahabharata consisting of 90,00 stanzas, is
probably the longest single poem in the world's literature. Ignoring the
interpolations, the style of the Mahabharata is direct and vivid though
consisting of repeated clinches and stock epithets, typical of epic
literature every where. The chief characters are delineated in a very
simple outline but with an individuality which makes them real
persons.
The other epic Ramayana also contains interpolations but they are
much briefer and are mostly didactic. The main body of the poem
gives the impression of being the work of one author whose style was
based on that of the other epic to show some kinship to that of
classical Sanskrit poetry. The style of the Ramayana is less rugged
than that of the Mahabharata. It is a work of greater art and it
contains many dramatic passages and beautiful descriptive writing.
The earliect surviving Sanskrit poetry is that of the Buddhist writer
Ashvaghosa who probably lived in the Ist century A.D. He composed
the Buddha-Charitra in a comparatively simple classical style. The
Girnar inscription of Rudradaman, dated 150 A.D. is the earliest
surviving example of Sanskrit prose.
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The earliest surviving prose stories are a few narrative episodes in the
Brahmanas followed by the pali Jatakas. It was in the Gupta period
that ornate Sanskrit prose was developed. The chief writers in this
style were Dandin, Subandhu and Bana.
Prakrit
Chronologically pali is the first Sanskrit language and various Prakrits
oppeared later. Even the meaning of the word 'Pali' underwent
changes. In the final stages the word "Pali" meant language of the
texts of Theravada Buddhism. The Tripitaka meaning three baskets are
books which consist of the canons of the Theravada sect. One part of it
deals with the monastic discipline. The second part lays down
principles of Buddhism. And the last part deals with various subjects
like ethics psychology theories of knowledge and metaphysical
problems.
Besides the canonical literature, there was also non-canomical
literature in pali. In pali liberature the earlieat works relate to the
Jataka stories. The early poetry consisted of a few verses from the
songs of the older monks and Nuns, a collection of poems ascribed
wrongly to the great disciples of the Buddha in the early days of the
order. The style of these is simpler then Sanskrit literature and
suggests influence of popular song. The book milinda panda is the
most important one. Its subject matter is the dialogue between Milinda
and monk Nagasena over some problems of the Buddhist faith. This
particular kind of canonical literature in pali was practised in Ceylon
also. The classical works Depavamsa and Mahavamsa, the two great
chronicles of Ceylon and also some grammatical metrical and
lexicographical texts were written in pali.
Now for the word "Prakrit". It stands for all the middle Indo-Aryan
speeches which belong to an era between Sanskrit on the one hand
and Aryan languages it has sectarian value since it was exclusively
used as the speech of the Hinayana Buddhism.
From the earliest times to the first century A.D. inscriptions were
composed exclusively in Prakrit. Asoka left behind 30 inscriptions in
Prakrit. Even in literature prakrit came to be used particularly in plays.
And prakrit itself consists of different dialects. There were several
other prakrits of lesser importance. By the time of the Guptas the
prakrits were standardized and had lost their local character. The
vernaculars had already developed beyond them. What panini did for
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Sanskrit others did dor the Prakrits and they began to resemble more
the languages actually were based on the conventions of dramatic
theory and they never represented popular life. Now did they reflect in
any way the linguistic conditions of society. Some plays are composed
exclusively in Prakrit and they are technically called sttakas. The
Karpuramanjari (about 900 A.D.) Rajasekhara depicting love between
man and woman is the most important work of this type.
Continuting the secular aspect of Prakrit language a number of stanzas
were written both on love and maxims. The most remarkable amongst
such texts is the Gatha Saptasati of Hala one of the Satavahana rulers.
This book consists of 700 stanzas about love depicting the varied
phases of South Indian rural life. The king probably ruled in the Ist
century A.D. The poems are notable for their consciseness and for
their great economy of words and masterly use of suggestions. Some
poems contain simple and natural descriptions and references to the
lives of peasants and the lower class. More important is the fact that
narrative literature and epic poems are fairly extensive in Prakrit. The
most noteworthy among themare the Brihatkatha of Gunadhya
composed in Paisachi dialect and Setubandha of Pravarasena.
Apart from secular literature prakrit was used for religious literature
also like the Jaina canonical works. It was during the 5th century A.D.
that most of the Jaina canons were written down. In prakrit literature
the Jaina writings have very little literary the poetry of the Jainas is
better than prose. Its poetry is written in lively vernacular style.
Furthermore it is to be stated here that scholars treated Apabhramas
as a kind of Prakrit. It boasts of extensive literature particularly
narrative stories. The first writer to make use of it was Asvaghosa. The
others who followed the example were Bhasa (3rd century A.D.) and
later Visakhadatta and kalidasa.
In the Apabhramsa the meter doha was adopted as powerful form of
expression of religious and philosophical thoughts. Both Jaina monks
and contemporary writers of Tantrik Bhddhism utilized this meter.
Incidentally stray poems dealing with morals maxims ethics religious
discourses and legenos were commonly written in Apabhramsa. Among
the Jains the columinous texts on the life and activities of Jaina heroes
were written in Apabhramsa. It may be noted here in the end that
Apabhramsa, Sanskrit and Prakrit had a great influence both on
Gujarati and Hindi as late as the 16th century.
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Futhermore Prakrit is of linguistic importance since it is illustrative of
the linguistic evolution from Prakrit to Apabhramsa and finally to a new
regional language. Apabhramsa meaning falling down was a corrupt
form of Prakrit dialect. It is believed to have originated in the northwest
and traveled from that region along with the migrant people who
scattered and settled incentral and western India after the Huna
invasions. The Prakrit as used by Jains was greatly influenced by
Apabhramsa. It is here that the link between the older and the new
languages of Maharashtri and Gujarati is evident.
India's Impact on Southeast Asia
Causes and Consequences
The transmission of Indian culture of distant parts of Central Asia,
China, Japan, and especially Southeast Asia is certainly one of the
greatest achievements of Indian history or even of the history of
mankind. None of the other great civilizations - not even the Hellenic -
had been able to achieve a similar success without military conquest.
In this brief survey of India's history, there is no room for an adequate
discussion of the development of the 'Indianised' states of Southeast
Asia which can boast of such magnificent temple cities as Pagan
(Burma; constructed from 1044 to 1287 AD,) Angkor (Combodia;
constructed from 889 to c. 1300 AD), and the Borobudur (Java, early
ninth century AD). Though they were influenced by Indian culture,
they are nevertheless part and parcel of the history of those respective
countries. Here we will limit our observations to some fundamental
problems oncerning the transmission of Indian culture to the vast
region of Sotheast Asia.
Who Spread Indian Culture in Southeast Asia ?
Historians have formulated several theories regarding the transmission
of Indian culture of Southeast Asia :
(1) the 'Kshatriya' theory;
(2) the 'Vaishya' theory;
(3) the 'Brahmin' theory.
The Kshatriya theory states that Indian warriors colonized Southeast
Asia; this proposition has now been rejected by most scholars
although it was very prominent some time ago.
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The Vaishya theory attributes the spread of Indian cultura to traders;
it is certainly much more plausible than the Kshatriya theory, but does
not seem to explain the large number of Sanskrit loan words in
Southeast Asian languages.
The Brahmin hypothesis credits Brahmins with the transmission of
Indian culture; this would account for the prevalence of these
loanawards; but may have to be amplified by some reference to the
Buddhists as well as to be amplified by some reference to the
Buddhsits as well as to the traders. We shall return to these theories,
but first we shall try to understand the rise and fall of the Kshatriya
theory.
It owed its origin to the Indian freedom movement. Indian historians,
smarting under the stigma of their own colonical sujection, tried to
compensate for this by showing that al leat in ancient times Indians
had been strong enough to establish colonise of their own. In 1926 the
Greater India society was established in Calcutta and in subsequent
years the renewed Indian historia R.C. Majumdar published his series
of studies, Ancient Indian colonise in the Far East. This school held
that Indian kings and warriors had established such colonise and the
Sanksrit names of South east Asian rulers seemed to provide ample
supporting evidence. At least this hypothesis stimulated further
research, though it also alienated those intellectuals of Southeast Asia
who rejected the idea of having once been colonized by a 'Greater
India'. As research progressed it was found that there was vary little
proof of any direct Indian political influence in those states of
Southeast Asia. Furthermore, it was demonstrated that Southeast
Asian rulers had adopted Sanskrit names the mselves - thus such
names could not be adduced as evidence for the presence of Indian
kings.
The Vaishya theory, in contrast, emphasized a much more important
element of the Indian connection with Southeast Asia. Trade had
indeed been the driving force behind all these early contacts.
Inscriptions also showed that guids of Indian merchants had
established outposts in many parts of Southeast Asia. Some of their
inscriptions were written in languages such as Tamil. However, if such
merchants had been the chief agents of the transmission of Indian
culture, then all their languages should have made an impact on those
of Southeast Asia. But this was not so : Sanskrit and, to some extent,
languages. The traders certainly provided an important transmission
belt for all kinds of cultural influences. Nevertheless, they did not play
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the crucial role which some scholars have attributed to them. One of
the most important arguments against the Vaishya theory is that some
of the earliest traces of Indianised states in Southeast Asia are not
found in the coastalareas usually frequented by the traders, but in
mountainous, interior areas.
The Brahmin theory is in keeping with what we have shown with
regard to the almost contemporary spread of Hindu culture in
Southern and Central India. There Brahmins and Buddhist and Jain
monks played the major role in transmitting cultural values and
symbols, and in disseminating the style of Hundu kingship. In addition
to being religious specialists, the Brahmins also knew the Sanskrit
codes regarding law (dharmasastra), the art of government
(arthasastra), and art and architecture (silpasastra). They could taus
serve as development planners' in many different fields and were
accordingly welcome to Southeast Asian rulers who may have just
emerged from what we earlier described as first-and second phase
state formation.
taxila
Taxila.
To speak point wise, the first influence of the Greeks was on the divine
right theory of kingship. The Indo-Greeks took high sounding title e
like divine kings, sons of gods, etc. and maintained the myth of
Empire. Even before Indo-Greek rulers established themselves in India
the services of the Greeks were utilized. Ashoka appointed a Greek as
very viceroy of his province. And after the Indo-Greek period, a Greek,
during the period of Kushans, was entrusted with engineering work.
Talking of social life, a number of Greeks figure as donors in the
inscription of the Karle caves. The Greek mode of wearing hair and the
habit of eating in a lying posture came into vogue. Also when some of
the Indo-Greeks settled in India, they took to trade and they became
affluent merchants. Even Tamil literature refers to Greek ships
bringing cargoes, and the Greek section of Kaveripatnam was very
prosperous. And some of the Tamil kings kept Greek body-guards.
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Regarding science, contemporary writers admit the greatness of the
Greek scientists. The Gargi Samhita admits that the Greeks were like
gods in science and they penetrated into India as far as Pataliputra.
Varahmihira, during the Gupta age was in the know of Greek science
and used a number of Greek technical terms in his works, It is also
argued that Charaka was influenced by the works of Hippocrates, the
father of Medicine, but there is not evidence to confirm this view. Thus
it is difficult to conjecture the extent to which ancient scientists of
India were influenced by the scientific knowledge of Greeks.
In the field of art, first the Indo-Greeks did contribute to die cutters'
art. They showed a remarkable skill in making the portraits of rulers.
Also the Greek kings adopt some of the indigenous methods of minting
the coins. Although Indians did not fully learn the fine art of diecutting,
the coins of Indian rulers were influenced by the Greeks.
Indian adopted the art of striking coins with two dies, the obverse and
the reverse. Secondly, the curious open air theatre that came into
being in this period was directly a Greek legacy. The term Yavanika for
curtain shows that Indian drama, at least on one point, was influenced
by the Greek model, Thridly, the Greek form of sculpture influenced
the Gandhara art of the Kushan period. The school began in the Kabul
valley where the Greek influence was the maximum. Accordingly tone
author, the terracottas of toys and plaques were all influenced by the
Greeks.
In the religious field too, the Greek influence was felt, as borne out by
Millinda-Panho and the Besnagar inscription. Legions of Greeks were
converted into Indian religions of the day. One Greek officer,
Theodorus, got the relics of the Buddha enshrined in the Swat valley.
Besides, Hindu iconography was greatly changed because of the Indo-
Greek influences. It is difficult to say how many Babylonian and
Iranian Gods were incorporated in Hindu religions. A few deities were
taken over by the Parthians and they were adopted by the Kushans.
But it is doubtful to say as to which of the Greek dieities were
incorporated in the Pantheon of Indian gods.
All told, the Greek influence was mostly felt in art (the Gangdhara
sculptures, which probably influenced the later day Mathura
sculptures) and in religion (gave a fillip to Mahayana Buddhism and
popularized the Bhakti aspect of religion as pioneered by the vasudeva
cult).
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SUNGAS
The Sunga rule, extending a little over a century, is in interlude in the
history of India. There is nothing extraordinary about the political
events associated with the Sungas. The significance of their history, on
the other hand, primarily consists in the place they occupy in the social
and cultural history of India.
The founder of the dynasty, Pushyamitra Sunga, overthrew the
Mauryas; either in 187 B.C. or 184 B.C. After him there were nine
other rulers. Among them, Agnimitra, Vasumitra, Bhagvata and
Devabhumi were the prominent ones. The names of the first two were
associated with some events in political history, whereas the latter two
were known for their long rule, they being 32 and 10 years
respectively.
There is some controversy about the identity of Pushyamitra Sunga. It
was stated in a Sutra that he belonged to a family of teachers.
Patanjali claims that he was a brahminor the Bhardwaja gotra.
Ivyavadana stated that the Sungas were related to the Mauryas. A
Malavikagnimitram refers to them as brahmins belonging to Kashyap
gotra.
After the overthrow of Brihadrata, Pushyamitra Sunga waged a few
wars to consolidate his position. Evidence shows that Pushyamitra
Sunga defeated the Yavanas. This is confirmed by Patanjali's
Mahabashva. And the claim made in the Hathigumpha inscription that
Kharavela of Kalinga defeated Pushyamitra Sunga cannot be sustained
because Kharavela ruled in the second half of the first century B.C.
Later, Vasumitra, the grandson of Pushyamitra Sunga, defeated the
Yavanas. This is confirmed by the Malavikaganimtiram and gargi
Samhita. Both Agnimmitra and Veerasena fought against Vidarbha rule
of the Sungas ended C. 75 B.C.
Some scholars regard that the establishment of Sunga dynasty ws
symbolic of the brahminical reaction to the Mauryan bias towards
Buddhism. Pushyamitra Sunga performed the vedic sacrifices of
asvamedha, and the others like aginstoma, Rajasuya and vajpeiya. But
some facts of his region clearly show that he did not persecute
Buddhists. The claim of Divyavandana, that Pushyamitra Sunga
destroyed 84,000 Buddhist stupas and slaughtered srameans, has no
corroborative evidence. Interestingly, the sculptured stone gateway
and the massive stone railing aroused Sanchi stupa were executed
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during the time of Pushyamitra Sunga. Also the Bharhut stupa and the
sculpture relating to Jataka stories around it came into existence
during the same period. One of the donors of Bharhut stupa was
Champadevi wife of the Idisha King, who was a worshipper of Vishnu.
This fact bears testimony to the high degree of tolerance prevailing
during the period. (And some minor works of Sunga art are to be
found at Mathura, Kausambi and Sarnath).
It at all there was anyting like persecution of Buddhists during the
days of Pushyamitra Sunga, it could be in the context of Menander's
invasion. May be, the Buddhists of India welcomed the invasion of
Menander' and this might have resulted in Pushyamitra Sunga wrath
falling on the Buddhists. Or, may be withdrawal of royal patronage
with the coming of the Sungas apparently enraged the Buddhists and
thus the Buddhists writers present an exaggerated account of their
troubles.
The importance of the Sungas, therefore, was primarily in the context
of cultural and social development. In the social field, the emergence
of Hinduism had a wide impact. The Sungas attempted to revive the
caste system with the social supremacy of the brahmins. This is more
than evident in the work of Manu (Manusmriti) wherein he reassures
the position of the brahmins in the fourfold society. Even then, the
most significant development of the Sunga era was marked by various
adjustment and adaptations leading to the emergence of mixed castes
and the assimilation of the foreigners in India society. Thus we notice
that Brahminism gradually transformed itself in a direction towards
Hinduism.
In the field of literature Sanskrit gradually gained ascendancy and
became the language of the court. Patanjali was patronized by
Pushyamitra Sunga and he was the second great grammarian of
Sanskrit. Patanjali refers to a Sanskrit poet, Varauchi, who wrote in
the Kavya style and which was later perfected by Kalidasa. Some
Buddhist works of this age were written in Sanskrit.
In the field of art, there was immediate reaction against the Buddhist
era of the Mauryas. Nevertheless, there were certain differences. The
Sunga art reflects more of the mind, culture, tradition and ideology
than what the Mauryan art did. During the Sunga period, stone
replaced wood in the railings and the gateways of the Buddhist stupas
as noticed at Bharhut and Sanchi. Bharhut stupa is replete with
sculptures - apart from floral designs, animal, figures, Yakshas and
human figures. Even the stone railing around the Sanchi Stupa is in
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rich belief work. This age definitely witnessed the increasing use of
symbols and human figures in architecture. Besides, the Sungas art is
a manifestation of popular artistic genious - the artistic activity was
because of the initiative of individuals, corporation or villages. A part
of the gateway of Sanchi was constructed by the artisans of Vidisha.
Even temple building began in this period. A Vishnu temple was build
near Vidisha. There was an increase in the construction of rock-cut
temple as noticed in the Chaitya Hall. In the temples and household
worship we find the idols of Shiva and Vishnu.
All told the importance of the sunga dynasty lies in the restoration of
Real politik while abandoning the asokan approach. In the cultural field
the beginnings as well as accomplishments in sculpture and
architecture are of tremendous significance. In the field of religion too
they not only revived the earlier tradition but also gave an impetus to
new approaches combative towards the heterodox sects the cult of
katakana the god of war the resurgence of Bhagvata cult and the
supremacy of Vasudeva in the Hindu pantheon.
KUSHANS
In the post-Mauryan era, central Asia and north-western India
witnessed hectic and shifting political scenes. The Great Yuehi-chi
driven out of fertile lend in Western china migrated towards the Aral
Sea. There they encountered the Sakas near Syr Darya river and
evicted them. The Great Yuehi-Chi tribes settled in the valley of Oxus
and with the occupation of the Bactrian lands the great hordes were
divided into five principalities. A century later the Kushan section or
sect of Yuehi-Chi attained predominance over the otheres. Their leader
was Kadphises. Thus began the history of Kushans.
The unique geographical position of the Kushans empire made it a
colossus astride on the spine of Asia uniting the Greco-Roman
civilization in the west the Chinese civilization in the east and Indian
civilisation in the south-east.
The leader of the Kushans was kadphises and his rule probably began
in 40 A.D. He attacked the regions south of Hindu Kush, conquered
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Kabul and annexed Gandhara including the kingdom of Taxila.
Kadphises died in 77 A.D. or 78 A.D. By then the Kushans had
supplanted the princes belonging to the Indo-Greek saka and Indo-
Parthian communities along the frontiers of India. The successor of
kadphises was Vima-Kadphses. He conquered large parts of norther
India. His coins show that his authority extended as far as Banaras
and as well as the Indus basin. In all likelihood his power extended as
far as Narbada and the Saka satraps in Malwa and Western India
acknowledged his sovereignty.
By that time the Chinese reasserted their authority in the north and
this led to a collusion with the Kushans. The Chinese general pan-chao
conquered Chinese Turkistan and established the Chinese authority in
parthia that is on the territory south of the Caspian sea.
These advances frightened the Kushans. In 87 AD Kadphises II,
claimed the hand of a Chiese princes, an acknowledgement of his
equality with the son of Heaven. The proposal was rejected and
Kadphises, dispatched a large army, But the army was decimated
because of the difficult terrain. And it was easily defeated by the
Chinese. The Kushan ruler was compelled to pay tribute the China and
the Chinese records so that the Kushans continued to send missions to
Cnina till the close of the century. Rossibly the reign of Kadphises II
ended C. 110 A.D.
The next ruler, Kanishka probably belonged to the little Yuehi-chi
section of the horde. His capital was Purushapura and here he erected
a large number of Buddhist buildings. In his early years he annexed
Kashmir and consolidated his rule in the Indus and the Gangetic basin.
His army crossed the Pamirs and inflicted a defeat on the Chinese. The
chief of Khotan, Yarkand and the Ksshgar were made to pay tribute.
Tradition states that while Kanishka was on his return from the
Chinese Turkistan, he was sothered to death by his officers who had
got weary of his campaigns. Most of his time was spent on waging
wars.
A large number of inscriptions were incised during the times of
Kanishka and his successor. According to evidence, Kanishka became
an active partron of the Buddhist Church during the later part of his
reign. Althouth the Buddhist records gloat over this fact and regard
him as the second Asoka, his coins prove that he honoured a medley
of gods - zoroastrain, Greek, Mitraic, and Indian. The prominent Indian
duty on the coins was Shiva. The peculiar assembly of deities by the
Kushans offers a great deal of speculation. May be Kansihka follwed a
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loose from of Zorostrianism and freely venerated the deities of other
greeds.
Also, Kanishka covened a council of Buddhist theologians to settle
disputes relating to Buddhist faith and practices. The conclusions of
this council were engraved on copper sheets and preserved in the
stupa of the capital. The delgates to the council primarily belonged to
the Hinayana sect.
The Buddhism of this period was definitely a lax one. The Mahayana
sect was popular. But early Buddhism was an India product and was
based on the Indian ideas of rebirth, transmigration of souls and the
blessedness of escape from the pains of being. This Buddhism was
supported by a practical system of ethics inculcating a stoic devotion
to duty for its own sake. Such a teaching needed fundamental changes
to attract the sturdy mountaineer, the nomad horseman and the
Helloe rized Alexandrian. The veneration for a dead teacher passed
into a worship of living seviour.
Soon the Kushan power declined. Within the Kingdom, harm was done
to the Kushan Empire by the Nagas and Yaudheyas. A Naga ruler
probably performed ten ashvamedha sacrifices. Apart from these two
communities, a few other tribes also, like the Malavas and the
Kunindas, probably regained their importance at the expense of the
Kushan empire.
Apart from the weaknesses to the successors of Kanishka,
developments in the Persia influenced the history of North western
India. The Parthians were overthrown byArdashir in 226 A.D. who
established theSassanian dynasty. His successors annxed Peshawar
and Taxila during the middle of the 3rd century. And Kushan kings in
the north-west became the vassals of the Sasssanians. The successors
of Kanishka, as established today, are the following : Vashiska (102-
106), Hyvishka (106-138), and Vasudeva (c. 152-176). The history
after this period is extremely vague. Over the ruins of the empire, in
Central Asia and the west, rose the Sassanian empire of Persia and in
India. The Gupta empire.
Speaking in general about the achievement of the Kushans, the first is
the economic prosperity. As the Kushan empire was situated in a
crucial geographical region. There was brisk trade. Moreover, the very
area covered by the Kushan empire helped the flow of trade between
the east and the west. Some trade routes which came into existence in
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this period continued to serve the future also. Gold coins of great
complexity were issued by the Kushans.
These coins speak of the prosperity of the people. The coins of
Kanishka usually show the figure of Kanishka standing and sacrificing
at altar, and on the obverse, deities belonging to various religions. The
coins of the Kushans also show that the Kushans were in contact with
the Romans - the weight of the Kushan coins has certain similarities
with the Roman coins. According to the author of the Periplus god and
silver species were imported at Barygaza (Broach).
As regards art and literature, we have to state that their greatest
contribution was the Gandhara art. It was in this period that the stone
images of the Buddha and the Bodhisattavas were craved out. The
chief of quality of this art is the blending of Buddhist subjects with
Greek forms. Images of the Buddha appear in the likeness of Apollo,
and theYakshakubera is posed in the fasino of Zeus. The imprint of this
school of art is still to be found in Mathura and Amarvati. Indeed, the
carving of images and the building of temples was not neglected in
earlier days, but under the Kushans they attained a refinement. The
Chaitya built at Peshawar was as high as four storeys. Fa-Hien,
passing through Gandhara, during the fifth century, praised the
images of the Buddha, Bodhisattavas and numerous other deities. The
early rulers fostered the Hellenistic art of Gandhara and also the
Bhikshu Bela, and from this place artistic products were sent to
Sarasvati and Sarnath. Kanishka was a great builder - tower at
Peshawar, a new city in Taxila, a town in Kashmir and fine buildings
and sculptures at Mathura. It was at the last place a portrait stature of
Kanishka has been found but its head is not there. Further, the dieengravers
employed by the Kushans were far from negligible. A special
note is to be taken of coinage. The Kushan coins became the
prototypes for many varieities of coins of Yadheyas, the imperial
Guptas, some kings of Nepa and several Kings of Chedi. Eminent
Buddhist writers - Nagajuna, Asvaghosha and Vasumitra were the
names associated with Kanishka. The first was a poet, musician,
scholar and a zealous Buddhist monk. Charaka was the court physician
of Kanishka.
The next thing to be noted about the Kushana is their religion. In all
likelihood, missionaries propagated Buddhism in central Asia and China
in this period. Possibly, it was during the time of Kanishka that
Mahayana Buddhism was sanctified. The fourth Buddhist council that
was summoned by Kanishka canonized the doctrines of Hinayana and
Mahayana. The deliberations of the conference were engraved on
Be great in act, as you have been in thought. Page 26 of 56
sheets of copper and were sealed and deposited in a stupa, but they
have not been found so far. But to regard Kanishka as the founder
patron of the Mahayana sect, which came into existence under the
Kushans, is a disputable point. Even though many scholars regard
Kanishka as the second Asoka some writers do not agree with this
view. In addition to these things, we must mention that the Kushana
kings patronized all kinds of religions, including Hinduism. Kanishka
was definitely and eclectic monarch as he honored a medley of gods
belonging to the Greek, Zoroastrian and Hindu faiths. Not only
Buddhism flourished under the Kushanas but there were definitely
stirrings of Hinduism. Many brahminical sects started merging. Along
with religion, Sanskrit language received an impetus. In a way the
Kushan age constituted the prelude to the Gupta age.
In this ammner, the services rendered by the Kushanas are
commendable. A mere evaluation of the personality of Kanishka alone
would not help us to estimate the importance of the Kushanas as the
empire lasted for three centuries. To a certain extent, the prosperious
time of peace during the Gupta period was directly due to the Kushans
undertaking the unconscious role of the shield and buckler of Indian
civiliszation and culture. The Kushan state was a buffer between the
Aryan civilization and the nomadic hordes in central Asia who from
time to time, had overrun the civilized worlds with the sweep of
avalanches. It was also responsible for the exchange of ideas and
goods between different civilization because of the peculiar
geographical position occupied by the Kushanas a clearing house for
the ideas and goods of different civilization.
Andhra Satavahanas
ORIGIN :
(a) Aitrareya Brahmana puts the Adhras beyond the pale of Aryanism.
(b) Nasik Prasasti lays claim to Gautmi as a brahamana.
(c) Puranas called them their services to Aryanism they were -
admitted to the Aryan folk after their services to Arynanism - there is
a reference to them in the Asoka inscriptions as well as by
Megasthenes.
(d) Some call them Brahmins - some, mixed Brahmins of Naga origin,
Be great in act, as you have been in thought. Page 27 of 56
aqnd some, protectors of Brahmins,
(e) Numismatic evidence points to the origin in Western Deccan and
Madhya Pradesh. Epigraphic and literary evidence points to their
western origin - the figure of the founder of the dynasty is found in
paition in western Deccan.
(f) Epigraphic evidence refers to them as Satavahanas, not as
Andhras.
(g) Possibly, Andhra is the Tribal name : Satavahana, the dynastic
name, and satakarni, the Surname.
SOURCES :
(a) Puranas - mention 30 kings,.
(b) Aitrareya Brahmina.
(c) Literary sources -- Gunadhya's Brihatkatha. And Leelavati, which
deals with the military exploits of Hala.
(d) Nasik inscription of Gautami Balsari.
(e) Hathigumpha inscription of Kharavela for inferring the date of the
first ruler.
(f) Sanchi inscription extent of the Satavahanas kingdom till Malwa.
CHORONOLOGY:
(a) The founder war one Simukha - probably the first century B.C. -
supplanted the lingering Sunga and Kanva rulers - rule of the dynasty
was for 300 years. Simuka was succeed by Krishna or Kanha.
(b) The next known king was Satakarni - the kingdom expanded -
probably defeated by Kharavela - performed Ashvamedha Pratishthana
was the capital - confusion after him. Kshaharatas or sakas occupied
parts of Maharashtra.
(c) Hala is the 17th in the list of Puranas - his book is saptasataka -
deals with both erortic and philosophical themes. Gundhaya's
Brihatkatha deals with the rivalry between Prikrit and Sanskrit.
(d) Beginning from 25 A.D. to 75 A.D. there was confusion - saka
eruption.
Be great in act, as you have been in thought. Page 28 of 56
(e) The greatest ruler was Gautamiputra Satakarni. He was the 23rd
according to Pupranas - around 72 A.D. the Nasik inscription of his
mother talks of his being the destroyer of Sakas, Yavanas and
Kshaharata - also says that he crushed the pride of Kshatrias - overran
konan, Saurashtra, Bihar and Malva. A Philanthropist, he maintained
Arya Dharma - put an end to Varna - Sankara - some regard him to be
Vikramaditya. Built the city of Benakataka and assumed the titles of
Raja Raja and Svamin.
(f) The next known ruler was Pulumayi II around 96 A.D. - first ruled
Andhra country - Vaijyanti and Amaravati famous cities - Satavahanas
a naval power - probably overseas colonisation - large number of
inscription.
(g) The next know ruler was Vasishtiputra Batakarni of sri Pulumayi -
married the daughter of Rudradaman, a Saka ruler -- however
Rudradaman twice defeated him. Also, Sri Pulumayi lost to Chastana,
son of Bhosmotika.
(h) Next known ruler was Yajna Sri Satakarni - around 160 A.D. -
Malva, Kathiawad and North Konkan - inscription found in Konkan and
Krishna - coints found in Gujarat and Kathiawad - defeated Kshatapas.
(i) After the declined Salankeyanas ruled over the Satavahana
territory.
IMPORTANCE :
(1) The Very area over which they ruled was important connecting link
between link between northern and southern India - Andhras were
instrumental in spreading Aryan culture to the south.
(2) Their colonizing activities spread to South-East Asia - influence of
Amaravati sculptures on South-East Asian sculptures.
(3) They did maintain contact between India and the Western world in
matters of trade.
(4) They were instrumental in curbing the penetration of Sakas further
into south.
(5) Some of the later southern dynastic like Ikshvakus, Kadambas,
Be great in act, as you have been in thought. Page 29 of 56
Tarikutakas and Abhiras continued the Satavahan tradition and the
Pallsvas and the Chalukya claimed the tradition of Satavahanas.
To speak point wise, the first influence of the Greeks was on the divine
right theory of kingship. The Indo-Greeks took high sounding title e
like divine kings, sons of gods, etc. and maintained the myth of
Empire. Even before Indo-Greek rulers established themselves in India
the services of the Greeks were utilized. Ashoka appointed a Greek as
very viceroy of his province. And after the Indo-Greek period, a Greek,
during the period of Kushans, was entrusted with engineering work.
Talking of social life, a number of Greeks figure as donors in the
inscription of the Karle caves. The Greek mode of wearing hair and the
habit of eating in a lying posture came into vogue. Also when some of
the Indo-Greeks settled in India, they took to trade and they became
affluent merchants. Even Tamil literature refers to Greek ships
bringing cargoes, and the Greek section of Kaveripatnam was very
prosperous. And some of the Tamil kings kept Greek body-guards.
Be great in act, as you have been in thought. Page 19 of 56
Regarding science, contemporary writers admit the greatness of the
Greek scientists. The Gargi Samhita admits that the Greeks were like
gods in science and they penetrated into India as far as Pataliputra.
Varahmihira, during the Gupta age was in the know of Greek science
and used a number of Greek technical terms in his works, It is also
argued that Charaka was influenced by the works of Hippocrates, the
father of Medicine, but there is not evidence to confirm this view. Thus
it is difficult to conjecture the extent to which ancient scientists of
India were influenced by the scientific knowledge of Greeks.
In the field of art, first the Indo-Greeks did contribute to die cutters'
art. They showed a remarkable skill in making the portraits of rulers.
Also the Greek kings adopt some of the indigenous methods of minting
the coins. Although Indians did not fully learn the fine art of diecutting,
the coins of Indian rulers were influenced by the Greeks.
Indian adopted the art of striking coins with two dies, the obverse and
the reverse. Secondly, the curious open air theatre that came into
being in this period was directly a Greek legacy. The term Yavanika for
curtain shows that Indian drama, at least on one point, was influenced
by the Greek model, Thridly, the Greek form of sculpture influenced
the Gandhara art of the Kushan period. The school began in the Kabul
valley where the Greek influence was the maximum. Accordingly tone
author, the terracottas of toys and plaques were all influenced by the
Greeks.
In the religious field too, the Greek influence was felt, as borne out by
Millinda-Panho and the Besnagar inscription. Legions of Greeks were
converted into Indian religions of the day. One Greek officer,
Theodorus, got the relics of the Buddha enshrined in the Swat valley.
Besides, Hindu iconography was greatly changed because of the Indo-
Greek influences. It is difficult to say how many Babylonian and
Iranian Gods were incorporated in Hindu religions. A few deities were
taken over by the Parthians and they were adopted by the Kushans.
But it is doubtful to say as to which of the Greek dieities were
incorporated in the Pantheon of Indian gods.
All told, the Greek influence was mostly felt in art (the Gangdhara
sculptures, which probably influenced the later day Mathura
sculptures) and in religion (gave a fillip to Mahayana Buddhism and
popularized the Bhakti aspect of religion as pioneered by the vasudeva
cult).
Be great in act, as you have been in thought. Page 20 of 56
SUNGAS
The Sunga rule, extending a little over a century, is in interlude in the
history of India. There is nothing extraordinary about the political
events associated with the Sungas. The significance of their history, on
the other hand, primarily consists in the place they occupy in the social
and cultural history of India.
The founder of the dynasty, Pushyamitra Sunga, overthrew the
Mauryas; either in 187 B.C. or 184 B.C. After him there were nine
other rulers. Among them, Agnimitra, Vasumitra, Bhagvata and
Devabhumi were the prominent ones. The names of the first two were
associated with some events in political history, whereas the latter two
were known for their long rule, they being 32 and 10 years
respectively.
There is some controversy about the identity of Pushyamitra Sunga. It
was stated in a Sutra that he belonged to a family of teachers.
Patanjali claims that he was a brahminor the Bhardwaja gotra.
Ivyavadana stated that the Sungas were related to the Mauryas. A
Malavikagnimitram refers to them as brahmins belonging to Kashyap
gotra.
After the overthrow of Brihadrata, Pushyamitra Sunga waged a few
wars to consolidate his position. Evidence shows that Pushyamitra
Sunga defeated the Yavanas. This is confirmed by Patanjali's
Mahabashva. And the claim made in the Hathigumpha inscription that
Kharavela of Kalinga defeated Pushyamitra Sunga cannot be sustained
because Kharavela ruled in the second half of the first century B.C.
Later, Vasumitra, the grandson of Pushyamitra Sunga, defeated the
Yavanas. This is confirmed by the Malavikaganimtiram and gargi
Samhita. Both Agnimmitra and Veerasena fought against Vidarbha rule
of the Sungas ended C. 75 B.C.
Some scholars regard that the establishment of Sunga dynasty ws
symbolic of the brahminical reaction to the Mauryan bias towards
Buddhism. Pushyamitra Sunga performed the vedic sacrifices of
asvamedha, and the others like aginstoma, Rajasuya and vajpeiya. But
some facts of his region clearly show that he did not persecute
Buddhists. The claim of Divyavandana, that Pushyamitra Sunga
destroyed 84,000 Buddhist stupas and slaughtered srameans, has no
corroborative evidence. Interestingly, the sculptured stone gateway
and the massive stone railing aroused Sanchi stupa were executed
Be great in act, as you have been in thought. Page 21 of 56
during the time of Pushyamitra Sunga. Also the Bharhut stupa and the
sculpture relating to Jataka stories around it came into existence
during the same period. One of the donors of Bharhut stupa was
Champadevi wife of the Idisha King, who was a worshipper of Vishnu.
This fact bears testimony to the high degree of tolerance prevailing
during the period. (And some minor works of Sunga art are to be
found at Mathura, Kausambi and Sarnath).
It at all there was anyting like persecution of Buddhists during the
days of Pushyamitra Sunga, it could be in the context of Menander's
invasion. May be, the Buddhists of India welcomed the invasion of
Menander' and this might have resulted in Pushyamitra Sunga wrath
falling on the Buddhists. Or, may be withdrawal of royal patronage
with the coming of the Sungas apparently enraged the Buddhists and
thus the Buddhists writers present an exaggerated account of their
troubles.
The importance of the Sungas, therefore, was primarily in the context
of cultural and social development. In the social field, the emergence
of Hinduism had a wide impact. The Sungas attempted to revive the
caste system with the social supremacy of the brahmins. This is more
than evident in the work of Manu (Manusmriti) wherein he reassures
the position of the brahmins in the fourfold society. Even then, the
most significant development of the Sunga era was marked by various
adjustment and adaptations leading to the emergence of mixed castes
and the assimilation of the foreigners in India society. Thus we notice
that Brahminism gradually transformed itself in a direction towards
Hinduism.
In the field of literature Sanskrit gradually gained ascendancy and
became the language of the court. Patanjali was patronized by
Pushyamitra Sunga and he was the second great grammarian of
Sanskrit. Patanjali refers to a Sanskrit poet, Varauchi, who wrote in
the Kavya style and which was later perfected by Kalidasa. Some
Buddhist works of this age were written in Sanskrit.
In the field of art, there was immediate reaction against the Buddhist
era of the Mauryas. Nevertheless, there were certain differences. The
Sunga art reflects more of the mind, culture, tradition and ideology
than what the Mauryan art did. During the Sunga period, stone
replaced wood in the railings and the gateways of the Buddhist stupas
as noticed at Bharhut and Sanchi. Bharhut stupa is replete with
sculptures - apart from floral designs, animal, figures, Yakshas and
human figures. Even the stone railing around the Sanchi Stupa is in
Be great in act, as you have been in thought. Page 22 of 56
rich belief work. This age definitely witnessed the increasing use of
symbols and human figures in architecture. Besides, the Sungas art is
a manifestation of popular artistic genious - the artistic activity was
because of the initiative of individuals, corporation or villages. A part
of the gateway of Sanchi was constructed by the artisans of Vidisha.
Even temple building began in this period. A Vishnu temple was build
near Vidisha. There was an increase in the construction of rock-cut
temple as noticed in the Chaitya Hall. In the temples and household
worship we find the idols of Shiva and Vishnu.
All told the importance of the sunga dynasty lies in the restoration of
Real politik while abandoning the asokan approach. In the cultural field
the beginnings as well as accomplishments in sculpture and
architecture are of tremendous significance. In the field of religion too
they not only revived the earlier tradition but also gave an impetus to
new approaches combative towards the heterodox sects the cult of
katakana the god of war the resurgence of Bhagvata cult and the
supremacy of Vasudeva in the Hindu pantheon.
KUSHANS
In the post-Mauryan era, central Asia and north-western India
witnessed hectic and shifting political scenes. The Great Yuehi-chi
driven out of fertile lend in Western china migrated towards the Aral
Sea. There they encountered the Sakas near Syr Darya river and
evicted them. The Great Yuehi-Chi tribes settled in the valley of Oxus
and with the occupation of the Bactrian lands the great hordes were
divided into five principalities. A century later the Kushan section or
sect of Yuehi-Chi attained predominance over the otheres. Their leader
was Kadphises. Thus began the history of Kushans.
The unique geographical position of the Kushans empire made it a
colossus astride on the spine of Asia uniting the Greco-Roman
civilization in the west the Chinese civilization in the east and Indian
civilisation in the south-east.
The leader of the Kushans was kadphises and his rule probably began
in 40 A.D. He attacked the regions south of Hindu Kush, conquered
Be great in act, as you have been in thought. Page 23 of 56
Kabul and annexed Gandhara including the kingdom of Taxila.
Kadphises died in 77 A.D. or 78 A.D. By then the Kushans had
supplanted the princes belonging to the Indo-Greek saka and Indo-
Parthian communities along the frontiers of India. The successor of
kadphises was Vima-Kadphses. He conquered large parts of norther
India. His coins show that his authority extended as far as Banaras
and as well as the Indus basin. In all likelihood his power extended as
far as Narbada and the Saka satraps in Malwa and Western India
acknowledged his sovereignty.
By that time the Chinese reasserted their authority in the north and
this led to a collusion with the Kushans. The Chinese general pan-chao
conquered Chinese Turkistan and established the Chinese authority in
parthia that is on the territory south of the Caspian sea.
These advances frightened the Kushans. In 87 AD Kadphises II,
claimed the hand of a Chiese princes, an acknowledgement of his
equality with the son of Heaven. The proposal was rejected and
Kadphises, dispatched a large army, But the army was decimated
because of the difficult terrain. And it was easily defeated by the
Chinese. The Kushan ruler was compelled to pay tribute the China and
the Chinese records so that the Kushans continued to send missions to
Cnina till the close of the century. Rossibly the reign of Kadphises II
ended C. 110 A.D.
The next ruler, Kanishka probably belonged to the little Yuehi-chi
section of the horde. His capital was Purushapura and here he erected
a large number of Buddhist buildings. In his early years he annexed
Kashmir and consolidated his rule in the Indus and the Gangetic basin.
His army crossed the Pamirs and inflicted a defeat on the Chinese. The
chief of Khotan, Yarkand and the Ksshgar were made to pay tribute.
Tradition states that while Kanishka was on his return from the
Chinese Turkistan, he was sothered to death by his officers who had
got weary of his campaigns. Most of his time was spent on waging
wars.
A large number of inscriptions were incised during the times of
Kanishka and his successor. According to evidence, Kanishka became
an active partron of the Buddhist Church during the later part of his
reign. Althouth the Buddhist records gloat over this fact and regard
him as the second Asoka, his coins prove that he honoured a medley
of gods - zoroastrain, Greek, Mitraic, and Indian. The prominent Indian
duty on the coins was Shiva. The peculiar assembly of deities by the
Kushans offers a great deal of speculation. May be Kansihka follwed a
Be great in act, as you have been in thought. Page 24 of 56
loose from of Zorostrianism and freely venerated the deities of other
greeds.
Also, Kanishka covened a council of Buddhist theologians to settle
disputes relating to Buddhist faith and practices. The conclusions of
this council were engraved on copper sheets and preserved in the
stupa of the capital. The delgates to the council primarily belonged to
the Hinayana sect.
The Buddhism of this period was definitely a lax one. The Mahayana
sect was popular. But early Buddhism was an India product and was
based on the Indian ideas of rebirth, transmigration of souls and the
blessedness of escape from the pains of being. This Buddhism was
supported by a practical system of ethics inculcating a stoic devotion
to duty for its own sake. Such a teaching needed fundamental changes
to attract the sturdy mountaineer, the nomad horseman and the
Helloe rized Alexandrian. The veneration for a dead teacher passed
into a worship of living seviour.
Soon the Kushan power declined. Within the Kingdom, harm was done
to the Kushan Empire by the Nagas and Yaudheyas. A Naga ruler
probably performed ten ashvamedha sacrifices. Apart from these two
communities, a few other tribes also, like the Malavas and the
Kunindas, probably regained their importance at the expense of the
Kushan empire.
Apart from the weaknesses to the successors of Kanishka,
developments in the Persia influenced the history of North western
India. The Parthians were overthrown byArdashir in 226 A.D. who
established theSassanian dynasty. His successors annxed Peshawar
and Taxila during the middle of the 3rd century. And Kushan kings in
the north-west became the vassals of the Sasssanians. The successors
of Kanishka, as established today, are the following : Vashiska (102-
106), Hyvishka (106-138), and Vasudeva (c. 152-176). The history
after this period is extremely vague. Over the ruins of the empire, in
Central Asia and the west, rose the Sassanian empire of Persia and in
India. The Gupta empire.
Speaking in general about the achievement of the Kushans, the first is
the economic prosperity. As the Kushan empire was situated in a
crucial geographical region. There was brisk trade. Moreover, the very
area covered by the Kushan empire helped the flow of trade between
the east and the west. Some trade routes which came into existence in
Be great in act, as you have been in thought. Page 25 of 56
this period continued to serve the future also. Gold coins of great
complexity were issued by the Kushans.
These coins speak of the prosperity of the people. The coins of
Kanishka usually show the figure of Kanishka standing and sacrificing
at altar, and on the obverse, deities belonging to various religions. The
coins of the Kushans also show that the Kushans were in contact with
the Romans - the weight of the Kushan coins has certain similarities
with the Roman coins. According to the author of the Periplus god and
silver species were imported at Barygaza (Broach).
As regards art and literature, we have to state that their greatest
contribution was the Gandhara art. It was in this period that the stone
images of the Buddha and the Bodhisattavas were craved out. The
chief of quality of this art is the blending of Buddhist subjects with
Greek forms. Images of the Buddha appear in the likeness of Apollo,
and theYakshakubera is posed in the fasino of Zeus. The imprint of this
school of art is still to be found in Mathura and Amarvati. Indeed, the
carving of images and the building of temples was not neglected in
earlier days, but under the Kushans they attained a refinement. The
Chaitya built at Peshawar was as high as four storeys. Fa-Hien,
passing through Gandhara, during the fifth century, praised the
images of the Buddha, Bodhisattavas and numerous other deities. The
early rulers fostered the Hellenistic art of Gandhara and also the
Bhikshu Bela, and from this place artistic products were sent to
Sarasvati and Sarnath. Kanishka was a great builder - tower at
Peshawar, a new city in Taxila, a town in Kashmir and fine buildings
and sculptures at Mathura. It was at the last place a portrait stature of
Kanishka has been found but its head is not there. Further, the dieengravers
employed by the Kushans were far from negligible. A special
note is to be taken of coinage. The Kushan coins became the
prototypes for many varieities of coins of Yadheyas, the imperial
Guptas, some kings of Nepa and several Kings of Chedi. Eminent
Buddhist writers - Nagajuna, Asvaghosha and Vasumitra were the
names associated with Kanishka. The first was a poet, musician,
scholar and a zealous Buddhist monk. Charaka was the court physician
of Kanishka.
The next thing to be noted about the Kushana is their religion. In all
likelihood, missionaries propagated Buddhism in central Asia and China
in this period. Possibly, it was during the time of Kanishka that
Mahayana Buddhism was sanctified. The fourth Buddhist council that
was summoned by Kanishka canonized the doctrines of Hinayana and
Mahayana. The deliberations of the conference were engraved on
Be great in act, as you have been in thought. Page 26 of 56
sheets of copper and were sealed and deposited in a stupa, but they
have not been found so far. But to regard Kanishka as the founder
patron of the Mahayana sect, which came into existence under the
Kushans, is a disputable point. Even though many scholars regard
Kanishka as the second Asoka some writers do not agree with this
view. In addition to these things, we must mention that the Kushana
kings patronized all kinds of religions, including Hinduism. Kanishka
was definitely and eclectic monarch as he honored a medley of gods
belonging to the Greek, Zoroastrian and Hindu faiths. Not only
Buddhism flourished under the Kushanas but there were definitely
stirrings of Hinduism. Many brahminical sects started merging. Along
with religion, Sanskrit language received an impetus. In a way the
Kushan age constituted the prelude to the Gupta age.
In this ammner, the services rendered by the Kushanas are
commendable. A mere evaluation of the personality of Kanishka alone
would not help us to estimate the importance of the Kushanas as the
empire lasted for three centuries. To a certain extent, the prosperious
time of peace during the Gupta period was directly due to the Kushans
undertaking the unconscious role of the shield and buckler of Indian
civiliszation and culture. The Kushan state was a buffer between the
Aryan civilization and the nomadic hordes in central Asia who from
time to time, had overrun the civilized worlds with the sweep of
avalanches. It was also responsible for the exchange of ideas and
goods between different civilization because of the peculiar
geographical position occupied by the Kushanas a clearing house for
the ideas and goods of different civilization.
Andhra Satavahanas
ORIGIN :
(a) Aitrareya Brahmana puts the Adhras beyond the pale of Aryanism.
(b) Nasik Prasasti lays claim to Gautmi as a brahamana.
(c) Puranas called them their services to Aryanism they were -
admitted to the Aryan folk after their services to Arynanism - there is
a reference to them in the Asoka inscriptions as well as by
Megasthenes.
(d) Some call them Brahmins - some, mixed Brahmins of Naga origin,
Be great in act, as you have been in thought. Page 27 of 56
aqnd some, protectors of Brahmins,
(e) Numismatic evidence points to the origin in Western Deccan and
Madhya Pradesh. Epigraphic and literary evidence points to their
western origin - the figure of the founder of the dynasty is found in
paition in western Deccan.
(f) Epigraphic evidence refers to them as Satavahanas, not as
Andhras.
(g) Possibly, Andhra is the Tribal name : Satavahana, the dynastic
name, and satakarni, the Surname.
SOURCES :
(a) Puranas - mention 30 kings,.
(b) Aitrareya Brahmina.
(c) Literary sources -- Gunadhya's Brihatkatha. And Leelavati, which
deals with the military exploits of Hala.
(d) Nasik inscription of Gautami Balsari.
(e) Hathigumpha inscription of Kharavela for inferring the date of the
first ruler.
(f) Sanchi inscription extent of the Satavahanas kingdom till Malwa.
CHORONOLOGY:
(a) The founder war one Simukha - probably the first century B.C. -
supplanted the lingering Sunga and Kanva rulers - rule of the dynasty
was for 300 years. Simuka was succeed by Krishna or Kanha.
(b) The next known king was Satakarni - the kingdom expanded -
probably defeated by Kharavela - performed Ashvamedha Pratishthana
was the capital - confusion after him. Kshaharatas or sakas occupied
parts of Maharashtra.
(c) Hala is the 17th in the list of Puranas - his book is saptasataka -
deals with both erortic and philosophical themes. Gundhaya's
Brihatkatha deals with the rivalry between Prikrit and Sanskrit.
(d) Beginning from 25 A.D. to 75 A.D. there was confusion - saka
eruption.
Be great in act, as you have been in thought. Page 28 of 56
(e) The greatest ruler was Gautamiputra Satakarni. He was the 23rd
according to Pupranas - around 72 A.D. the Nasik inscription of his
mother talks of his being the destroyer of Sakas, Yavanas and
Kshaharata - also says that he crushed the pride of Kshatrias - overran
konan, Saurashtra, Bihar and Malva. A Philanthropist, he maintained
Arya Dharma - put an end to Varna - Sankara - some regard him to be
Vikramaditya. Built the city of Benakataka and assumed the titles of
Raja Raja and Svamin.
(f) The next known ruler was Pulumayi II around 96 A.D. - first ruled
Andhra country - Vaijyanti and Amaravati famous cities - Satavahanas
a naval power - probably overseas colonisation - large number of
inscription.
(g) The next know ruler was Vasishtiputra Batakarni of sri Pulumayi -
married the daughter of Rudradaman, a Saka ruler -- however
Rudradaman twice defeated him. Also, Sri Pulumayi lost to Chastana,
son of Bhosmotika.
(h) Next known ruler was Yajna Sri Satakarni - around 160 A.D. -
Malva, Kathiawad and North Konkan - inscription found in Konkan and
Krishna - coints found in Gujarat and Kathiawad - defeated Kshatapas.
(i) After the declined Salankeyanas ruled over the Satavahana
territory.
IMPORTANCE :
(1) The Very area over which they ruled was important connecting link
between link between northern and southern India - Andhras were
instrumental in spreading Aryan culture to the south.
(2) Their colonizing activities spread to South-East Asia - influence of
Amaravati sculptures on South-East Asian sculptures.
(3) They did maintain contact between India and the Western world in
matters of trade.
(4) They were instrumental in curbing the penetration of Sakas further
into south.
(5) Some of the later southern dynastic like Ikshvakus, Kadambas,
Be great in act, as you have been in thought. Page 29 of 56
Tarikutakas and Abhiras continued the Satavahan tradition and the
Pallsvas and the Chalukya claimed the tradition of Satavahanas.
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