THE LINK BETWEEN SOUTHEAST
ASIA AND SOUTH INDIA
Indian historians have conducted a heated debate for many decades
about the relative marits of different regions with regard to the spread
of Indian influenced in southeast Asia. Now a days there seems to be a
consensus that, at least as far as the early centuries AD are
concerned, South India and specially Tamil Nadu-deserves the gerates
credit for this achievement. In subsequent periods, however, several
regional shifts as well as parallel influences emanaging from various
centers can be noticed. The influence of Tamil Nadu was very strong
as far as the earliest inscriptions in Southeast Asia are concerned,
showing as they do the influence ofteh script prevalent in the Pallava
kingdom. The oldest Buddhist sculputure in Southeast Asia- the
famous Buddha of Celebes - shows the marks of the Buddhist
sculptures of Amarvati (Coastal Andhra) of the third to the fifth
centuries AD. Early Hindu sculptures of Western Java and of the
Isthmus of Siam seem to have been guided by the Pallava style of the
seventh and eighth centuries AD. Early southeast Asian temple
architecture similarly shows the influence of the Pallavas and Chola
styles, especially on Java and in Kampuchea.
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The influence of the North Indian Gupta style also made itself felt from
the fifth century AD onwards. The center of this school was Sarnath,
near Baranasi (Banaras), where Buddha preached his first sermon.
Sarnath produced the classical Buddha image which influenced the art
of Burma and Thailand, as well as that of Funan at the mouth of the
Mekong. The art of the Shailendra dynastry of Java in the eighth and
ninth centuries AD - of which the Borobudur is the most famous
monument - was obviously influenced by what is termed the Late
Gupta style of western central Java of about (c.800 AD) explicitly
refers to the canstant flow of the people from Gurjardesha (Gujarat
and adjacent regions) due to which this temple had been built. Indeed,
the temple's sculptures show a striking similarity with those of the late
Buddhist caves of Ajanta and Ellora.
In later centuries Southeast Asia was more and more influenced by the
scholars of the University of Nalanda and the style of the Pala dynasty,
the last of the great Indian dynasties which bestowed royal patronage
on Buddhism. The influence of Mahayana Buddhism prevailing in Bihar
and Bengal under the Palas was so strong at the court of the
Shailendras of Java that a Buddhist monk from 'Gaudi' (Bengal) with
the typical Bengali name of Kumara Ghose, became rajguru of the
Shailendra king and in this capacity consecrated a statue of Manjushri
in the royal temple of the Shailenras in 782 AD. Bengal eastern Bihar
and Orissa were at that time centers of cultural influence. These
regions were in constant contact with Southeast Asia, whose painters
and sculptors reflected the style of Eastern Indian in their works.
Typical of this aesthetic was the special arrangement of figures
surrounding the central figure. This types of arrangement can be found
both in Indonasia sculptures and in the temple paintanings of Pagan
(Burma) during this period.
In the same era south Indian influence emerged once more under the
chola dynasty. Maritime trade was of major importance to the choals,
who thereby also increased their cultural influences. The occasional
military interventions of the Cholas did not detract from the peaceful
cultural intercourse. At the northern coast of Sumatra the old port of
Dilli, near Medan, had great Buddha sculptures evincing a local
variation of the Chola style, indeed a magnificent status of the Hindu
God Ganesha, in the pure Chola style, have recently been found at the
same place, Close to the famous temple of Padang Lawas, central
Sumatra, small but very impressive chola-style bronze sculptures of a
four armed Lokanath and of Tara have been found. These sculptures
are now in the museum of Jakarta. They are dated at 1039 AD, and a
brief inscription containing Old Malay words in addition to Sanskrit
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words- but Tamil words-proves that the figures were not imported
from India but were produced locally.
Nevertheless, Chola relations with southeast Asia were by no means a
one-way street. It is presumed that the imperial cult of the Choals,
centred on their enormous temples, was directly influenced by the
grantd style of Angkor. The great tank at Gangaikondacholapuram was
perhaps conceived by the Chola ruerl in the same spirit as that which
moved the Combodian rulers who ordered the construction of the
famous Barays (tanks) of Angkor, which are considered to be a special
Indication of royal merit.
In the late thirteenth century Ad Pagan (Burma) was once more
exposed to a strong current of difect Indian influence emanating from
Bengal at that time conquered by Islamic rulers Nalanda had been
destroyed by the end of the twelth century and large groups of monks
in search of a new hoem flocked to Pagan and also to the Buddhist
centers of Tibet. The beautiful paintings in the temples of Minnanthu in
the eastern part of the city of Pagan may have due to them.
Islamic conquest cut off the holy places of Buddhism. A millennium of
intensive contacts between India and southeast Asia have come to an
end. But there was anther factor which must be mentioned in this
contact. In 1190 AD Chapata, a Buddhist monk from Pagan, returned
to that city after having spent ten years in Sri Lanka. In Burma he
founded a branch of the Theravada school of Buddhism, established on
the strict rules of the mahavihara monastery of the Sri Lanka. This led
to a schism in the Burmese Buddhist order which had been established
at Pagan by Shin Arahan about 150 years earlier. Shin Arahan was a
follower of the South Indian school of Buddhism, which had its center
at Kanchipuram. Chapata's reform prevailed and by the thirteenth and
fourteenth centuries AD. Burma, Thailand and Combodia had adopted
Theravada Buddhism of the Sri Lanka school. In Combodia this shift
from Mahayana to Theravada Buddhism seesm to have been part of a
socio-cultural revolution. Under the last great Knig of Angkor,
Jayavarman VII (1181-1218) royan Mahayana Buddhism had become
associated in the eyes of the people with the enormous buden which
the king imposed upon them in order to build the enormous Buddhist
temples of Angkor Thom (e.g. the gigantic Beyon).
Even in Indonesia, however, where Tantrist Buddhism with an admixture
of Shaivism prevailed at the courts of rulers all the way from
Sumatra down to Bali, direct Indian influence rapidly receded in the
thirteenth century. This was only partly due to the intervantion of
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Islam in India, its other cause being an upsurge of Javanese art which
confined the influence of Indian art to the statues of defied. Kings
erected after the death of the ruler. The outer walls of the temples
were covered with Javanese reliefs which evince a great similarity to
the Javanese shadowplay (Wayang kulit). The chandi Jago (thirteenth
century AD) and the temples of Panantaran (fourthenth century AD)
show this new Jvanese style very well. It has remained the dominant
style of Bali art upto the present time. A similar trend towards the
assertion of indigenous styles can also be found in the Theravads
Buddhist countries. The content of the scence depicted is still derived
from Hindnu mythology of Buddhist legends but the presentation
clearly incorporates the respective national style.
LEARNING AND EDUCATION
The highly esteemed Vedas have come to down to us. They existed for
nearly 2000 years before they were known in India. It was the
knowledge of acustics that enabled ancient Indians to orally transmit
the Vedas from generation to generation. Institutional form of
imparting learning came into existence in the early centuries of the
Christian era. The approach to learning was to study logic and
epistemology.
The study of logci was followed by Hindus, Buddhists and Jains, one of
the most important topics of Indian thoughts was pramana or means
of reliable knowledge. The nyaya schools upheld four pramanas -
perceptions of areliable by anology or comparison, word (Sabda), and
pronounciation of a reliable authority such as the Vedas. The Vedanta
school added one more to it i.e. intution.
It is probably while studying the process of inference that the schools
of true logic arose. Ancient Indian postulated syllogism though not as
accurate as that of Aristotle. Yet, they recognize some of the major
fallacies of logic like reduction and absurdom, circular argument,
infinite regression, dilemma, and ignoratio elenchi.
In the field epistemology, Jains contriubuted the most for the Jains
there was not only two possibilities of existence and non-existence but
seven more. Although the modern logicians might laugh at this
pedantic system of ontological and epistemological reality they
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concede that the world is more complex and subtle than we think it to
be.
Regarding institutional form of education the first was the guru-sishya
system. According to sacred texts, the training of the Brahmin pupil
took place at the home of a Brahmin teacher. In some texts the guru
is depicted as the poor ascetic and it is the duty of the student to beg
for his teacher. The first lesson that was taught to the student was the
performance of sandhya and also reciting of gayatri.
The family functioned as a domestic school, an asrama or a hermitage
where the mental faculties of the pupils were developed by the
teacher's constant attention and personal instruction. Education,
treatant as a matter of individual concern, did not admit of the method
of mass production applicable in industry. The making of man was
fegarded as an artistic and not a mechanical process. Indeed, the aim
of education was the developing of the pupil's personality, his innate
and latent capacities. This view of education as a process of one's
inner growth and self-fulfilment evolved its own technique, its rules,
methods and practices.
The thinking principle, manana sakti was reckoned higher than the
subject of thinking. So the primary subject of education was the mind
itself. According to the ancient Indian theory of education, the training
of the mind and the process of thinking, are essential for the
acquisition of knowledge. The chase counts more than the game. So
the pupil had mainly to educed himself and achieve his own mental
growth. Education ws reduced to the three simple processes of
Sravana, Manana and Niddhyaasana. Sravana was listening to the
truths as they fell from the lips of the teacher. Knowledge was
technically called sruti or what was heard by the ear and not what was
seen in writing.
The second process of knowledge called Manana implies that the pupil
has to think out for himself the meaning of the leassons imparted to
him orally by his teacher so that they may be assimilate fully. The
third step known as Nidhyasana means complete comprehension by
the pupil of the truth that is taught so that he may live the truth and
not merely explain it by word. Knowledge must cultimate in
realization.
The admission was made bythe formal ceremony upanayana or
initiation by which the pupil left the home of his natural parents for
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that of the preceptor. In this new home he had a second birth and was
called Dvijya. Twice-born.
Besides these regular schools of instructions, there were special
institutions for the promotion of advance study and research. These
are called in the Rig Veda as Brahmana-Sangha, Academies of learned
most its discussions hammered into shape the very languageofthe
country, the refined language of Sanksrit (Samkrata) as the Vehicle of
highest thought. These Academics were called prisads, there is a
reference to the Pancala parisad in the Upnishads, in whose
proceedings even kings participated, learning was also prompted by
discussions at public meetings which were a regular of rural life, and
were addressed by wandering scholars known as Carakas, These
scholars toured the country to deliver public discourses and invite
discussion.
What might count as earliest literary congress of the world was the
congress of philoshophers which was codification of Brahmanical
philoshophy by discussing the subject under the direction of the
master philosopher, Yajnavalkya. In these deliberations at the highest
level, a lady- philoshopher named Gargi was a prominent participant
beside men like Uddalaka Arni. Obviously, in those days women were
admitted to the highest knowledge and did not suffer from any
education disabilities. There was equality between the sexes in the
filed of knowledge. The Rig Veda mentions women Rais called
Brahmanavadinis.
To begin with, in ancient India, the main subject was the Veda. The
teacher would instruct handful of students seated on ground. For many
hours daily they would repeat verses after verses of the Vedas till they
attainmastery of at least one of them. To ensure correctness of
memory, the hymns were taught inmore than one way.
Soon the curricula was expanded. The limbs of the Veda or the six
Vedangas were taught - the performance of sacrifice, correct
pronounciation, knowledge of prosody, etymology, grammer, and
jyotisha or the science of calender. Also in the post-Vedic era, teachers
often instructed their students in the six schools of Philoshophy.
The writers of smititis maintain that young women of upper class
updrewent this kind of training. This is a dboutful contention. Princes
and other leading Kshatriyas were tained in all the manifold sciences
to make them fit for government. Most boys of the lower orders learnt
their trades from their fathers.
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Some cities became renewned because of their teachers. Chief among
them were - Varanasi, Taxila from the day of Buddha and Kanchi in
the beginning of the Christian era. Varanasi was famous for its
religious teachers. Taxila was known for its secular studies. Among the
famous men connected with Taxila were Panini, the grammarian of the
fifth or fourth century B.C. : Kautilya, the Brahmin minister of
Chandragupta Maurya and Charaka one of the two leading authorities
of Indian medical sciences. The institutions imparting vedic knowledge
that exists even today. There were also universities like Taxila and
Ujjain for medicine and learning incuding mathematics and astronomy
respectively. In the south Kanchi became an important center of
learning. Hiuen remarks that vallabhi was as great as Nalanda and
Vikramashila.
Although the smirits maintained that a small number of students study
under a single teacher, university turned towns came into existence
like Varanasi, Taxila etc. At Varanasi there were 500 students and a
number of teachers. The whole estalisment was maintained by
charitable people Ideally, the teacher asked no fee, but the students
repaid his debt by their service to the teacher. A Jataka story tells of
how a teacher of Taxila treated well the students who paid him money
while keeping other waiting. It is also interesting to note that in Taxila
even married people were admitted as students.
Out of all the Universities, Nalanda and imposed structures. Eight
Colleges were built by different patterns including one by the king of
Sri Vijaya (Sumatra). One of the colleges was four storeyed high as
stated by Hiuen-Tsang. Every facility existed for studying various kinds
of subjects in the University. There were three great libraries as per
Tibetan records.
Nalanda attracted students not only from different parts of India but
also from Tibet and China. The standards of examination were stiff,
and only those who could pass the test prescribed by the dvarapandita
or the scholar at the gate were admitted to this university. Also, for
being admitted to the university, candidates were required to be
familiar with old and new books.
Nalanda was one of the earliest examples ofa residential cum-teaching
institutions which housed thousands of monks devoted to learning,
philoshophy and meditation. Over 10,000 students including teachers
lived and studied at the university. The came from various parts of the
world apart from India-Cental Asia, China and Korea.
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Though Nalanda was primarily a Buddhist university its curricula
included Hindu scriptures, Philoshophy and medicine as recorded by
Hiuen-Tsang. Logic and exagetics wre pre-emenent because thes
students were expected to enter into dialogue with visiting doctors of
all schools. This compulsion of public debate made both teachers and
students become familiar with all systems of thought in accurate
summary.
The university had also succession of brilliant teachers. Dharmapala
was a Tamil noble from Kanchi in the south. Janamitra come from
another country. Silabhadra, the saintly guru of Hiuen-Tsang, came
from Assam and he was a converted Brahmin. A great achievements of
the University was that it was able to continuously rejuvenate
Buddhism in far off countries. Tibetan records mention a succession of
learned monks who visited their country. It is also said that Sudhakara
Simha went to China and worked there on the translation of Buddhist
texts.
REASONS FOR COLLAPSE
(a) Neither the Hindu nor the Budhist emigration was supported by
any kingdom or empire in India, clearly provingthat the expansion was
not colonial in nature.
(b) Since no home support was there for these kingdoms, they later
easily succumbed to local influences.The Chinese influence as spearheaded
by the Annamites caused the destruction of the Khmer rule.
The arab capture of trade and their subsequent penetration into this
region led to the spread of Islam in Indonesia and to some extent in
Malaysia.
(c) The early Hindu influence succumbed to the Buddhist influence
partly coming from India and partly from China.
(d) The thais coming from Yunnan maountains in China established
themselves at the expense of Hindu kingdoms in Indo-China.
(e) The local influences over which Hinduism was super imposed reasserted
themselves. Somehow the Buddhist influence remained partly
because of the cultural patronage of China to Buddism.
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(f) The final disappeaance of Hinduism must definitely be because of
Hinduism going to seed in its own home land by 1000 A.D.
CONTACTS WITH CENTRAL ASIA
The expansion of Indian culture and influence both in Central Asia and
in the south-east towards the countries and islands of the pacific is
one of the momentous developments in the period immediately
preceeding the Christian era. Asoka's missionaries traveled for to the
west but the result of their work in Antioch and Alexandria and other
distant countries must remain a matter of speculation.
It is however the Kushan empire of Kanishka, Huviska and Vassudeva
which became the carriers of Indian thought into Central Asia.
Kanishka was the patron of Mahayana Buddhism, and his empire
outside Indian became a scene of Indian missionary activity. The great
Kasyapa Matanga and Dharmaratna were actually employed in
missionary work in Indo-Scycthian counries when the Chinese
ambassadors met them (68 A.D.) From that time there was a
countinous and uninterrupted flow of Scholars, Monks and missionaries
to china of whom the most famous was Kumarajuna and Vasubandhu.
The Indianisation of Khotan, Kucha, and others areas in Central Asia is
still evidenced by the great mass of Buddhist literatures that has been
discovered there by various expeditions.
With the archaeological discoveries of Sir Aurel Stein began our
knowledge of India and central Asia. Manuscripts belonging to second
century A.D. were found at Khotan-written in Prakrit. Another script
was found at Kucha belonging to the 4th century A.D. quotations from
Charaka and Susruta. And Russian archaeologists discovered 182
frescos in Tun-Hunang known as the cave of the thousend poets.
2. Chinese Turkestan, called by sir Aurel Stein as the innermost heart
of Asia and forming a vast basin was at one time a prosperous country
of flourishing cities with their rich sanctuaries and monasteries. The
remains in Turkestan and the finds that and monasteries. The remains
in Turkestan and the finds that different sites explored or excavated by
archaeologists have established beyond boubt that a large number of
Indians had migrated from the Punjab and Kashmir and settled in the
Tarim basin where thet when stein was exploring that region he felt as
if he was in some Punjab village, although he was nearly 3,00 km.
Away from the land of the five rivers.
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3. There was an Indian Kingdom in Khotan. It is alleged that it was
founded by son of emperor Asoka. The names of the early kings all
begin with Vijeta. Buddhism was introduced in that kingdom more than
a century after its establishment. Later many Buddhist monasteries
were set up in the region; two famous ones, Gosrnga and Gomati
Viharas, were great centers of learning. Many other Indian monks
visited khotan and many Buddhist monasteries flourished there.
Both Prakrit and Sanskrit were studied in Khotan. The whole of Central
Asia was a meeting place of different cultures since it contained the
famous silk trade route between China and Roma. The northern route
touched Kucha (Kuchi) Oarashara (ancient Agnidesa) and Turfan, while
the Southern route passed through Kashgar, Yarkand, Khotan, Niya,
Miran and other important centers. The two routes fimally converged
at Tung-huang on the western border of China, a strong Buddhist
center noted for its famous grottos. Buddhism flourished in all these
regions but traces of Brahmanical religion are also found in khotan and
other places.
Besides religion, Indian influence can also be traced in art and
architecture. Probably some Indian artists from Khotan had migrated
to China. Various remnants of frescos leave no doubt that not only the
whole oconography but the technique of drawing, conventions and
mannerism were derived from the Buddhist paintings in India. Stucco
figures were modeled on the existing ones at Gandhara. The Indian
influence is even more distinctly confirmed by the finds from khotan,
Tumshuq and Schorshuq.
4. BUDDHIST missionaries went first to Central Asia. Fahien and
Biuen-Tsang spoke of thousands of Buddhists living in the area. From
this area, Buddhism spread to China. Kashyapa Matanga a and
Dharmaratha visited the Chinese empire in the 2nd century B.C. and
converted the people to Buddhism. And historical evidence shows that
it was kumarjiva of the fourth century B.C. who converted the people
of Kucha to Buddhism.
5. Tibet was brought under the orbit of Buddhist in the 7th Century
A.D. Later, Tibetans borrowed the Kashmiri script which was later
transformed into the Tibetan script of today. Later, the Tibetan
Buddhists came in large numbers to India during the pala period and
there was a lively exchange between Tibet and Pala kingdom. Tibetan
monks studied at the monasteries of nalalnda and Vikramasila.
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6. Political and cultural ties between India and central Asia continued
till about the 8th century A.D. the gradual advance of Islam and the
suspension of the silk trade on account of insecureties between India
and the innermost heart of Asia.
7. This Indian cultural expansion into Central Asia was no attempt at
political expansion. Instead the assimilation of all the foreigners who
came to Indian- Greeks, Parthians, Sakas, Kusanas and Hunas-in the
socio-religious structure of India was the triumph of Indian culture.
8. During the long course of history, India's attitude towards political
and cultural expansion has never been imperialistic. Armies were
never sent to conquer andy region. The conquest was mainly
intellectual, and incidentally the superior culture triumphed over the
native one. Individual men or groups set up kingdoms which in course
of time shaped into empires. The contact with the motherland was
maintained but India never exploited the colonies for her own benefit.
The kingdoms were, however, repositories of Indian culture-replicas of
the ones in India.
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