Taxila.
To speak point wise, the first influence of the Greeks was on the divine
right theory of kingship. The Indo-Greeks took high sounding title e
like divine kings, sons of gods, etc. and maintained the myth of
Empire. Even before Indo-Greek rulers established themselves in India
the services of the Greeks were utilized. Ashoka appointed a Greek as
very viceroy of his province. And after the Indo-Greek period, a Greek,
during the period of Kushans, was entrusted with engineering work.
Talking of social life, a number of Greeks figure as donors in the
inscription of the Karle caves. The Greek mode of wearing hair and the
habit of eating in a lying posture came into vogue. Also when some of
the Indo-Greeks settled in India, they took to trade and they became
affluent merchants. Even Tamil literature refers to Greek ships
bringing cargoes, and the Greek section of Kaveripatnam was very
prosperous. And some of the Tamil kings kept Greek body-guards.
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Regarding science, contemporary writers admit the greatness of the
Greek scientists. The Gargi Samhita admits that the Greeks were like
gods in science and they penetrated into India as far as Pataliputra.
Varahmihira, during the Gupta age was in the know of Greek science
and used a number of Greek technical terms in his works, It is also
argued that Charaka was influenced by the works of Hippocrates, the
father of Medicine, but there is not evidence to confirm this view. Thus
it is difficult to conjecture the extent to which ancient scientists of
India were influenced by the scientific knowledge of Greeks.
In the field of art, first the Indo-Greeks did contribute to die cutters'
art. They showed a remarkable skill in making the portraits of rulers.
Also the Greek kings adopt some of the indigenous methods of minting
the coins. Although Indians did not fully learn the fine art of diecutting,
the coins of Indian rulers were influenced by the Greeks.
Indian adopted the art of striking coins with two dies, the obverse and
the reverse. Secondly, the curious open air theatre that came into
being in this period was directly a Greek legacy. The term Yavanika for
curtain shows that Indian drama, at least on one point, was influenced
by the Greek model, Thridly, the Greek form of sculpture influenced
the Gandhara art of the Kushan period. The school began in the Kabul
valley where the Greek influence was the maximum. Accordingly tone
author, the terracottas of toys and plaques were all influenced by the
Greeks.
In the religious field too, the Greek influence was felt, as borne out by
Millinda-Panho and the Besnagar inscription. Legions of Greeks were
converted into Indian religions of the day. One Greek officer,
Theodorus, got the relics of the Buddha enshrined in the Swat valley.
Besides, Hindu iconography was greatly changed because of the Indo-
Greek influences. It is difficult to say how many Babylonian and
Iranian Gods were incorporated in Hindu religions. A few deities were
taken over by the Parthians and they were adopted by the Kushans.
But it is doubtful to say as to which of the Greek dieities were
incorporated in the Pantheon of Indian gods.
All told, the Greek influence was mostly felt in art (the Gangdhara
sculptures, which probably influenced the later day Mathura
sculptures) and in religion (gave a fillip to Mahayana Buddhism and
popularized the Bhakti aspect of religion as pioneered by the vasudeva
cult).
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SUNGAS
The Sunga rule, extending a little over a century, is in interlude in the
history of India. There is nothing extraordinary about the political
events associated with the Sungas. The significance of their history, on
the other hand, primarily consists in the place they occupy in the social
and cultural history of India.
The founder of the dynasty, Pushyamitra Sunga, overthrew the
Mauryas; either in 187 B.C. or 184 B.C. After him there were nine
other rulers. Among them, Agnimitra, Vasumitra, Bhagvata and
Devabhumi were the prominent ones. The names of the first two were
associated with some events in political history, whereas the latter two
were known for their long rule, they being 32 and 10 years
respectively.
There is some controversy about the identity of Pushyamitra Sunga. It
was stated in a Sutra that he belonged to a family of teachers.
Patanjali claims that he was a brahminor the Bhardwaja gotra.
Ivyavadana stated that the Sungas were related to the Mauryas. A
Malavikagnimitram refers to them as brahmins belonging to Kashyap
gotra.
After the overthrow of Brihadrata, Pushyamitra Sunga waged a few
wars to consolidate his position. Evidence shows that Pushyamitra
Sunga defeated the Yavanas. This is confirmed by Patanjali's
Mahabashva. And the claim made in the Hathigumpha inscription that
Kharavela of Kalinga defeated Pushyamitra Sunga cannot be sustained
because Kharavela ruled in the second half of the first century B.C.
Later, Vasumitra, the grandson of Pushyamitra Sunga, defeated the
Yavanas. This is confirmed by the Malavikaganimtiram and gargi
Samhita. Both Agnimmitra and Veerasena fought against Vidarbha rule
of the Sungas ended C. 75 B.C.
Some scholars regard that the establishment of Sunga dynasty ws
symbolic of the brahminical reaction to the Mauryan bias towards
Buddhism. Pushyamitra Sunga performed the vedic sacrifices of
asvamedha, and the others like aginstoma, Rajasuya and vajpeiya. But
some facts of his region clearly show that he did not persecute
Buddhists. The claim of Divyavandana, that Pushyamitra Sunga
destroyed 84,000 Buddhist stupas and slaughtered srameans, has no
corroborative evidence. Interestingly, the sculptured stone gateway
and the massive stone railing aroused Sanchi stupa were executed
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during the time of Pushyamitra Sunga. Also the Bharhut stupa and the
sculpture relating to Jataka stories around it came into existence
during the same period. One of the donors of Bharhut stupa was
Champadevi wife of the Idisha King, who was a worshipper of Vishnu.
This fact bears testimony to the high degree of tolerance prevailing
during the period. (And some minor works of Sunga art are to be
found at Mathura, Kausambi and Sarnath).
It at all there was anyting like persecution of Buddhists during the
days of Pushyamitra Sunga, it could be in the context of Menander's
invasion. May be, the Buddhists of India welcomed the invasion of
Menander' and this might have resulted in Pushyamitra Sunga wrath
falling on the Buddhists. Or, may be withdrawal of royal patronage
with the coming of the Sungas apparently enraged the Buddhists and
thus the Buddhists writers present an exaggerated account of their
troubles.
The importance of the Sungas, therefore, was primarily in the context
of cultural and social development. In the social field, the emergence
of Hinduism had a wide impact. The Sungas attempted to revive the
caste system with the social supremacy of the brahmins. This is more
than evident in the work of Manu (Manusmriti) wherein he reassures
the position of the brahmins in the fourfold society. Even then, the
most significant development of the Sunga era was marked by various
adjustment and adaptations leading to the emergence of mixed castes
and the assimilation of the foreigners in India society. Thus we notice
that Brahminism gradually transformed itself in a direction towards
Hinduism.
In the field of literature Sanskrit gradually gained ascendancy and
became the language of the court. Patanjali was patronized by
Pushyamitra Sunga and he was the second great grammarian of
Sanskrit. Patanjali refers to a Sanskrit poet, Varauchi, who wrote in
the Kavya style and which was later perfected by Kalidasa. Some
Buddhist works of this age were written in Sanskrit.
In the field of art, there was immediate reaction against the Buddhist
era of the Mauryas. Nevertheless, there were certain differences. The
Sunga art reflects more of the mind, culture, tradition and ideology
than what the Mauryan art did. During the Sunga period, stone
replaced wood in the railings and the gateways of the Buddhist stupas
as noticed at Bharhut and Sanchi. Bharhut stupa is replete with
sculptures - apart from floral designs, animal, figures, Yakshas and
human figures. Even the stone railing around the Sanchi Stupa is in
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rich belief work. This age definitely witnessed the increasing use of
symbols and human figures in architecture. Besides, the Sungas art is
a manifestation of popular artistic genious - the artistic activity was
because of the initiative of individuals, corporation or villages. A part
of the gateway of Sanchi was constructed by the artisans of Vidisha.
Even temple building began in this period. A Vishnu temple was build
near Vidisha. There was an increase in the construction of rock-cut
temple as noticed in the Chaitya Hall. In the temples and household
worship we find the idols of Shiva and Vishnu.
All told the importance of the sunga dynasty lies in the restoration of
Real politik while abandoning the asokan approach. In the cultural field
the beginnings as well as accomplishments in sculpture and
architecture are of tremendous significance. In the field of religion too
they not only revived the earlier tradition but also gave an impetus to
new approaches combative towards the heterodox sects the cult of
katakana the god of war the resurgence of Bhagvata cult and the
supremacy of Vasudeva in the Hindu pantheon.
KUSHANS
In the post-Mauryan era, central Asia and north-western India
witnessed hectic and shifting political scenes. The Great Yuehi-chi
driven out of fertile lend in Western china migrated towards the Aral
Sea. There they encountered the Sakas near Syr Darya river and
evicted them. The Great Yuehi-Chi tribes settled in the valley of Oxus
and with the occupation of the Bactrian lands the great hordes were
divided into five principalities. A century later the Kushan section or
sect of Yuehi-Chi attained predominance over the otheres. Their leader
was Kadphises. Thus began the history of Kushans.
The unique geographical position of the Kushans empire made it a
colossus astride on the spine of Asia uniting the Greco-Roman
civilization in the west the Chinese civilization in the east and Indian
civilisation in the south-east.
The leader of the Kushans was kadphises and his rule probably began
in 40 A.D. He attacked the regions south of Hindu Kush, conquered
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Kabul and annexed Gandhara including the kingdom of Taxila.
Kadphises died in 77 A.D. or 78 A.D. By then the Kushans had
supplanted the princes belonging to the Indo-Greek saka and Indo-
Parthian communities along the frontiers of India. The successor of
kadphises was Vima-Kadphses. He conquered large parts of norther
India. His coins show that his authority extended as far as Banaras
and as well as the Indus basin. In all likelihood his power extended as
far as Narbada and the Saka satraps in Malwa and Western India
acknowledged his sovereignty.
By that time the Chinese reasserted their authority in the north and
this led to a collusion with the Kushans. The Chinese general pan-chao
conquered Chinese Turkistan and established the Chinese authority in
parthia that is on the territory south of the Caspian sea.
These advances frightened the Kushans. In 87 AD Kadphises II,
claimed the hand of a Chiese princes, an acknowledgement of his
equality with the son of Heaven. The proposal was rejected and
Kadphises, dispatched a large army, But the army was decimated
because of the difficult terrain. And it was easily defeated by the
Chinese. The Kushan ruler was compelled to pay tribute the China and
the Chinese records so that the Kushans continued to send missions to
Cnina till the close of the century. Rossibly the reign of Kadphises II
ended C. 110 A.D.
The next ruler, Kanishka probably belonged to the little Yuehi-chi
section of the horde. His capital was Purushapura and here he erected
a large number of Buddhist buildings. In his early years he annexed
Kashmir and consolidated his rule in the Indus and the Gangetic basin.
His army crossed the Pamirs and inflicted a defeat on the Chinese. The
chief of Khotan, Yarkand and the Ksshgar were made to pay tribute.
Tradition states that while Kanishka was on his return from the
Chinese Turkistan, he was sothered to death by his officers who had
got weary of his campaigns. Most of his time was spent on waging
wars.
A large number of inscriptions were incised during the times of
Kanishka and his successor. According to evidence, Kanishka became
an active partron of the Buddhist Church during the later part of his
reign. Althouth the Buddhist records gloat over this fact and regard
him as the second Asoka, his coins prove that he honoured a medley
of gods - zoroastrain, Greek, Mitraic, and Indian. The prominent Indian
duty on the coins was Shiva. The peculiar assembly of deities by the
Kushans offers a great deal of speculation. May be Kansihka follwed a
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loose from of Zorostrianism and freely venerated the deities of other
greeds.
Also, Kanishka covened a council of Buddhist theologians to settle
disputes relating to Buddhist faith and practices. The conclusions of
this council were engraved on copper sheets and preserved in the
stupa of the capital. The delgates to the council primarily belonged to
the Hinayana sect.
The Buddhism of this period was definitely a lax one. The Mahayana
sect was popular. But early Buddhism was an India product and was
based on the Indian ideas of rebirth, transmigration of souls and the
blessedness of escape from the pains of being. This Buddhism was
supported by a practical system of ethics inculcating a stoic devotion
to duty for its own sake. Such a teaching needed fundamental changes
to attract the sturdy mountaineer, the nomad horseman and the
Helloe rized Alexandrian. The veneration for a dead teacher passed
into a worship of living seviour.
Soon the Kushan power declined. Within the Kingdom, harm was done
to the Kushan Empire by the Nagas and Yaudheyas. A Naga ruler
probably performed ten ashvamedha sacrifices. Apart from these two
communities, a few other tribes also, like the Malavas and the
Kunindas, probably regained their importance at the expense of the
Kushan empire.
Apart from the weaknesses to the successors of Kanishka,
developments in the Persia influenced the history of North western
India. The Parthians were overthrown byArdashir in 226 A.D. who
established theSassanian dynasty. His successors annxed Peshawar
and Taxila during the middle of the 3rd century. And Kushan kings in
the north-west became the vassals of the Sasssanians. The successors
of Kanishka, as established today, are the following : Vashiska (102-
106), Hyvishka (106-138), and Vasudeva (c. 152-176). The history
after this period is extremely vague. Over the ruins of the empire, in
Central Asia and the west, rose the Sassanian empire of Persia and in
India. The Gupta empire.
Speaking in general about the achievement of the Kushans, the first is
the economic prosperity. As the Kushan empire was situated in a
crucial geographical region. There was brisk trade. Moreover, the very
area covered by the Kushan empire helped the flow of trade between
the east and the west. Some trade routes which came into existence in
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this period continued to serve the future also. Gold coins of great
complexity were issued by the Kushans.
These coins speak of the prosperity of the people. The coins of
Kanishka usually show the figure of Kanishka standing and sacrificing
at altar, and on the obverse, deities belonging to various religions. The
coins of the Kushans also show that the Kushans were in contact with
the Romans - the weight of the Kushan coins has certain similarities
with the Roman coins. According to the author of the Periplus god and
silver species were imported at Barygaza (Broach).
As regards art and literature, we have to state that their greatest
contribution was the Gandhara art. It was in this period that the stone
images of the Buddha and the Bodhisattavas were craved out. The
chief of quality of this art is the blending of Buddhist subjects with
Greek forms. Images of the Buddha appear in the likeness of Apollo,
and theYakshakubera is posed in the fasino of Zeus. The imprint of this
school of art is still to be found in Mathura and Amarvati. Indeed, the
carving of images and the building of temples was not neglected in
earlier days, but under the Kushans they attained a refinement. The
Chaitya built at Peshawar was as high as four storeys. Fa-Hien,
passing through Gandhara, during the fifth century, praised the
images of the Buddha, Bodhisattavas and numerous other deities. The
early rulers fostered the Hellenistic art of Gandhara and also the
Bhikshu Bela, and from this place artistic products were sent to
Sarasvati and Sarnath. Kanishka was a great builder - tower at
Peshawar, a new city in Taxila, a town in Kashmir and fine buildings
and sculptures at Mathura. It was at the last place a portrait stature of
Kanishka has been found but its head is not there. Further, the dieengravers
employed by the Kushans were far from negligible. A special
note is to be taken of coinage. The Kushan coins became the
prototypes for many varieities of coins of Yadheyas, the imperial
Guptas, some kings of Nepa and several Kings of Chedi. Eminent
Buddhist writers - Nagajuna, Asvaghosha and Vasumitra were the
names associated with Kanishka. The first was a poet, musician,
scholar and a zealous Buddhist monk. Charaka was the court physician
of Kanishka.
The next thing to be noted about the Kushana is their religion. In all
likelihood, missionaries propagated Buddhism in central Asia and China
in this period. Possibly, it was during the time of Kanishka that
Mahayana Buddhism was sanctified. The fourth Buddhist council that
was summoned by Kanishka canonized the doctrines of Hinayana and
Mahayana. The deliberations of the conference were engraved on
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sheets of copper and were sealed and deposited in a stupa, but they
have not been found so far. But to regard Kanishka as the founder
patron of the Mahayana sect, which came into existence under the
Kushans, is a disputable point. Even though many scholars regard
Kanishka as the second Asoka some writers do not agree with this
view. In addition to these things, we must mention that the Kushana
kings patronized all kinds of religions, including Hinduism. Kanishka
was definitely and eclectic monarch as he honored a medley of gods
belonging to the Greek, Zoroastrian and Hindu faiths. Not only
Buddhism flourished under the Kushanas but there were definitely
stirrings of Hinduism. Many brahminical sects started merging. Along
with religion, Sanskrit language received an impetus. In a way the
Kushan age constituted the prelude to the Gupta age.
In this ammner, the services rendered by the Kushanas are
commendable. A mere evaluation of the personality of Kanishka alone
would not help us to estimate the importance of the Kushanas as the
empire lasted for three centuries. To a certain extent, the prosperious
time of peace during the Gupta period was directly due to the Kushans
undertaking the unconscious role of the shield and buckler of Indian
civiliszation and culture. The Kushan state was a buffer between the
Aryan civilization and the nomadic hordes in central Asia who from
time to time, had overrun the civilized worlds with the sweep of
avalanches. It was also responsible for the exchange of ideas and
goods between different civilization because of the peculiar
geographical position occupied by the Kushanas a clearing house for
the ideas and goods of different civilization.
Andhra Satavahanas
ORIGIN :
(a) Aitrareya Brahmana puts the Adhras beyond the pale of Aryanism.
(b) Nasik Prasasti lays claim to Gautmi as a brahamana.
(c) Puranas called them their services to Aryanism they were -
admitted to the Aryan folk after their services to Arynanism - there is
a reference to them in the Asoka inscriptions as well as by
Megasthenes.
(d) Some call them Brahmins - some, mixed Brahmins of Naga origin,
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aqnd some, protectors of Brahmins,
(e) Numismatic evidence points to the origin in Western Deccan and
Madhya Pradesh. Epigraphic and literary evidence points to their
western origin - the figure of the founder of the dynasty is found in
paition in western Deccan.
(f) Epigraphic evidence refers to them as Satavahanas, not as
Andhras.
(g) Possibly, Andhra is the Tribal name : Satavahana, the dynastic
name, and satakarni, the Surname.
SOURCES :
(a) Puranas - mention 30 kings,.
(b) Aitrareya Brahmina.
(c) Literary sources -- Gunadhya's Brihatkatha. And Leelavati, which
deals with the military exploits of Hala.
(d) Nasik inscription of Gautami Balsari.
(e) Hathigumpha inscription of Kharavela for inferring the date of the
first ruler.
(f) Sanchi inscription extent of the Satavahanas kingdom till Malwa.
CHORONOLOGY:
(a) The founder war one Simukha - probably the first century B.C. -
supplanted the lingering Sunga and Kanva rulers - rule of the dynasty
was for 300 years. Simuka was succeed by Krishna or Kanha.
(b) The next known king was Satakarni - the kingdom expanded -
probably defeated by Kharavela - performed Ashvamedha Pratishthana
was the capital - confusion after him. Kshaharatas or sakas occupied
parts of Maharashtra.
(c) Hala is the 17th in the list of Puranas - his book is saptasataka -
deals with both erortic and philosophical themes. Gundhaya's
Brihatkatha deals with the rivalry between Prikrit and Sanskrit.
(d) Beginning from 25 A.D. to 75 A.D. there was confusion - saka
eruption.
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(e) The greatest ruler was Gautamiputra Satakarni. He was the 23rd
according to Pupranas - around 72 A.D. the Nasik inscription of his
mother talks of his being the destroyer of Sakas, Yavanas and
Kshaharata - also says that he crushed the pride of Kshatrias - overran
konan, Saurashtra, Bihar and Malva. A Philanthropist, he maintained
Arya Dharma - put an end to Varna - Sankara - some regard him to be
Vikramaditya. Built the city of Benakataka and assumed the titles of
Raja Raja and Svamin.
(f) The next known ruler was Pulumayi II around 96 A.D. - first ruled
Andhra country - Vaijyanti and Amaravati famous cities - Satavahanas
a naval power - probably overseas colonisation - large number of
inscription.
(g) The next know ruler was Vasishtiputra Batakarni of sri Pulumayi -
married the daughter of Rudradaman, a Saka ruler -- however
Rudradaman twice defeated him. Also, Sri Pulumayi lost to Chastana,
son of Bhosmotika.
(h) Next known ruler was Yajna Sri Satakarni - around 160 A.D. -
Malva, Kathiawad and North Konkan - inscription found in Konkan and
Krishna - coints found in Gujarat and Kathiawad - defeated Kshatapas.
(i) After the declined Salankeyanas ruled over the Satavahana
territory.
IMPORTANCE :
(1) The Very area over which they ruled was important connecting link
between link between northern and southern India - Andhras were
instrumental in spreading Aryan culture to the south.
(2) Their colonizing activities spread to South-East Asia - influence of
Amaravati sculptures on South-East Asian sculptures.
(3) They did maintain contact between India and the Western world in
matters of trade.
(4) They were instrumental in curbing the penetration of Sakas further
into south.
(5) Some of the later southern dynastic like Ikshvakus, Kadambas,
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Tarikutakas and Abhiras continued the Satavahan tradition and the
Pallsvas and the Chalukya claimed the tradition of Satavahanas.
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